Study on the Christian inspirations in the modern French paintings

正如我们在研究对象中所写的那样，我们的研究是一个展示19世纪法国艺术中现代主义和现代主义两大流派的新特征的项目，我们三次访问巴黎，获得了许多圣菲迪南教堂、万神殿和圣心教堂的照片，一些19世纪的艺术评论家，一些音乐会博士。论文它们为我们的研究提供了一些重要的启示，特别是19世纪70年代马赛克的复兴，这可能表明中世纪基督教艺术的技术对现代主义运动的分裂技术做出了贡献，从印象派到立体主义，特别是乔治修拉等新印象派画家的点彩画。由于研究的跨度比我们预期的要大，研究的主题最终受到了限制。因此，我们可以写两篇关于克劳德·莫奈的“吕恩大教堂”系列和古斯塔夫·莫罗的神圣图像表示的文章，我们在这里包含一些关于圣教堂马赛克的说明。Genevieve（现在被称为“Panteon”），“基督向他们的守护天使展示了法国的未来”，欧内斯特·赫伯特

As we wrote in the study object, our study is an project to show the new characters of modern art, which has been separated between two groups, academism and modernism, in 19th century french art. Visiting Paris for three times, we have obtained many photographs of the chapel of Saint-Ferdinand, Pantheon, and Sacre-Coeur, some art critics of 19th century, and some concerting Ph. D. theses. They have inspired some important ideas for our studies, especially the revival of mosaics in 1870's, which may suggest that the technique of the medieval Christian art contributed to the divisional techniques of the modernism movement, from the Impressionism to the Cubism, especially pointillism of Neo-Impressionists as George Seurat. As span of our studies is wider than we had expected, the themes of the studies have been eventually limited. As the result, we could write about the two essays about Claude Monet's "Ruen Cathedral" series and representations of the sacred images of Gustave Moreau, and we contain here some notes about the mosaic of the Chrch of Ste. Genevieve (Now called "Panteon"), "Christ shows French future to their guardian angel" by Ernest Hebert