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The world of Hawaii's Local Plays : The birth and Development of Kumu Kahua Theatre

夏威夷本土戏剧的世界：库姆卡华剧院的诞生与发展

基本信息

批准号：
14510551
负责人：
USUI Masami
金额：
$ 1.28万
依托单位：
Doshisha University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2002
资助国家：
日本
起止时间：
2002 至 2005
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-14510551/
关键词：
American Literature American Studies Asian American Literature Japanese American Literature American Drama Hawaii's Culture Hawaiian Studies フェミニズム

项目摘要

I collected the references and the scripts of Hawaii's local plays which were born and grew from the nineteenth to the twentieth centuries after they were influenced by both traditional Eastern and Western plays. Assisted by local writers, directors, and scholars, I could do my research at the Hamilton Library of the University of Hawaii, Kumu Kahua Theatre, and also the Honolulu Theatre for Youth. I also interviewed local playwrights and directors. Consequently, I could deliver my paper at some conferences both in Japan and abroad, and published articles.My research covers three major transformations of Hawaii's local plays. In the beginning era, Hawaii was being invaded by Western culture and values yet where the tradition Hawaiian pageant was born in order to dramatize and produce the historical plays regarding Hawaiian monarchy in the sublime setting of Hawaii's nature. The second era is a transitional era where, due to the establishment of plantations in the nineteenth century, ne … More wly-arrived and -settled immigrants from China, Japan, the Philippines, and Korea introduced their own unique theatrical activities and works and as a result, they were blended. The third period is the crucial turning point where, due to the statehood of Hawaii and also Americanization in all fields including education, Hawaii's local plays which were first operated in Standard English and were first influenced by American drama were changed into their unique local drama with Pidgin English as the common language and with local topics as the common interest. Those three points describe the historical trace of Hawaii's local plays which are still now flourishing.After my research regarding those three points, I participated in the panel with local writers, critics, and teachers at Bamboo Ridge Institute at the University of Hawaii at Manoa twice. The second panel which I joined at Bamboo Ridge Institute was especially fruitful because I exchanged my idea with Stephen Sumida who is one of the founding members of Hawaii's local literature group and press, Bamboo Ridge, published the first book on Hawaii's local literature, and also served President of American Studies Association. In spite of the fact that Hawaii's local drama is still now a minor field, I had great opportunities to present my papers at prestigious conferences such as the Annual Meeting of the American Studies Association and also at the Modern Language Association. Less

我收集了夏威夷地方戏剧的参考资料和剧本，这些戏剧是在受到东西方传统戏剧的影响后，从19世纪诞生并发展到20世纪的。在当地作家、导演和学者的协助下，我可以在夏威夷大学汉密尔顿图书馆、库姆·卡华剧院和火奴鲁鲁青年剧院进行研究。我还采访了当地的剧作家和导演。因此，我可以在日本和国外的一些会议上发表我的论文，并发表文章。我的研究涵盖了夏威夷地方戏剧的三个主要转变。在最初的时代，夏威夷正在受到西方文化和价值观的入侵，但传统的夏威夷盛会就是在那里诞生的，目的是在夏威夷大自然的崇高背景下戏剧化和制作关于夏威夷君主制的历史剧。第二个时代是过渡时代，由于19世纪建立了种植园，Ne…更多来自中国、日本、菲律宾和韩国的移民介绍了他们自己独特的戏剧活动和作品，因此，他们被融合在一起。第三阶段是关键转折点，由于夏威夷的建州和包括教育在内的所有领域的美国化，夏威夷的地方戏剧最初以标准英语运作，最早受到美国戏剧的影响，变成了以洋泾浜英语为共同语言，以地方题材为共同兴趣的独特的地方戏剧。这三点描述了夏威夷地方戏剧的历史痕迹，至今仍在蓬勃发展。在对这三点进行研究后，我与夏威夷大学马诺阿分校竹岭研究所的当地作家、评论家和老师参加了两次小组讨论。我在竹岭研究所参加的第二个小组特别富有成效，因为我与斯蒂芬·住田交流了我的想法，他是夏威夷当地文学团体和出版社的创始成员之一，出版了第一本关于夏威夷当地文学的书，也是美国研究协会的主席。尽管夏威夷的地方戏剧现在仍然是一个次要的领域，但我有很好的机会在著名的会议上发表我的论文，比如美国研究协会年会和现代语言协会。较少

项目成果

期刊论文数量（21）

专著数量（0）

科研奖励数量（0）

会议论文数量（0）

专利数量（0）

Sexual Colonialism in Korea/Japan/America Spheres in Nora Okja Keller's Comfort Woman and Fox Girl

诺拉玉子凯勒的《慰安妇》和《狐女》中的韩国/日本/美国性殖民主义

DOI：
发表时间：
2004
期刊：
Journal of American Studies of Korea Vol.36.1
影响因子：
0
作者：
Masami Usui;Masami Usui;Masami Usui;Masami Usui;Masami Usui;Masami Usui;Masami Usui;Masami Usui;Masami Usui;Masami Usui
通讯作者：
Masami Usui

Women's Voice behind Men's Words in Victoria Nalani Kneubuhl's Fanny and Bell,

维多利亚·纳拉尼·克努布尔 (Victoria Nalani Kneubuhl) 的《范妮和贝尔》中男性话语背后的女性声音，