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The Passage of Japanese Local Literature in Hawaii ; Reconstruction with a Postcolonial View

日本本土文学在夏威夷的传承；

基本信息

批准号：
09610482
负责人：
USUI Masami
金额：
$ 1.22万
依托单位：
Doshisha University (1999-2000)Hiroshima University (1997-1998)
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1997
资助国家：
日本
起止时间：
1997 至 2000
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-09610482/
关键词：
Japanese American Literature American Literature American Studies Ethnic Studies Hawaiian Literature Gender Studies Comparative Literature Comparative Culture Studies

项目摘要

Japanese local literature in Hawaii in the transformation from the nineteenth-century immigration era to the twenty-first-century global/transnational era is examined as one unique genre whose birth and growth corresponds to those of local literature in Hawaii in a large scale. First, local literature movement from the end of the 1970's to the beginning of the 1980's emerged with the establishment of Talk Story conferences and Bamboo Ridge Press and its journal founded by local Chinese and Japanese sansei. In my interview with the founders, Darrell Lum and Marie Hara, they said that they aim at identifying Hawaii's local literature from both Hawaiian (Polynesian) literature and Asian American literature in mainland and improving the local consciousness among the locals in Hawaii whose racial, ethnic, cultural, and social backgrounds were first conflicting in the plantation era yet have been gradually assimilating into a shared local identity. The birth of local literature is traced back to the issei's immigration passage and plantation life in a colonial era where they create their local narrative in the unique oral literature of hole hole songs and the Japanese tanka, haiku, and senryu in the newly transplanted tropical landscape. The nisei's literature in English which results from their English-and Americanization-oriented school education in Hawaii as an American Territory embodies the narrative that revolts against colonialism. The sansei' literature reconstructs both issei's and nisei's narratives as the foundation of local literature and explores the colonial life and its heritage as their local identity and local narrative in postcolonial era where they are confronted with World War II, Hawaii's large navy base, tsunami, a wave of tourism and commercialism by both American and Japanese capitals, urbanization, and hapa in multiracial and multicultural environments. Japanese local literature in Hawaii will lead the local literature in the 21^<st> century.

从19世纪的移民时代到21世纪的全球化/跨国时代，日本夏威夷地方文学作为一种独特的体裁，其诞生和发展与夏威夷地方文学的诞生和发展在很大程度上是相对应的。一是七十年代末至八十年代初的地方文学运动，以中日三生创办的“讲故事会”和“竹岭出版社”及其期刊为标志。在我对创始人Darrell Lum和Marie Hara的采访中，他们说他们的目标是将夏威夷的本土文学与夏威夷（波利尼西亚）文学和大陆的亚裔美国文学区分开来，并提高夏威夷当地人的本土意识，他们的种族、民族、文化和社会背景在种植园时代最初是相互冲突的，但后来逐渐融入了共同的本土认同。乡土文学的诞生可以追溯到殖民时期一生的移民通道和种植园生活，他们在新移植的热带景观中以独特的口述文学“洞洞歌”和“日本短歌”、“俳句”和“仙龙”创造了自己的乡土叙事。日裔美国人在美国领土夏威夷接受了以英语和美国化为导向的学校教育，他们的英语文学体现了反抗殖民主义的叙事。三生文学重建了二生和二生的叙事作为地方文学的基础，并将殖民生活及其遗产作为他们在后殖民时代的地方身份和地方叙事进行了探索，他们面临着二战、夏威夷的大型海军基地、海啸、美国和日本首都的旅游和商业浪潮、多种族和多元文化环境下的城市化和hapa。日本夏威夷地方文学将引领21世纪夏威夷地方文学的发展。