权益分类	功能权益	普通用户	{{item.name}}会员
{{category.name}}	{{benefitItem.name}}

The acoustic perception of the World - Music in the German bourgeois culture and its images figured in the contemporary literature

世界的声音感知——德国资产阶级文化中的音乐及其在当代文学中的形象

基本信息

批准号：
14510583
负责人：
MITANI Yoko
金额：
$ 1.41万
依托单位：
Osaka University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2002
资助国家：
日本
起止时间：
2002 至 2004
项目状态：
已结题

项目摘要

At the end of the 18. century and the first half of the 19. century, when the amount of printed matters increased drastically in German countries, the vision rose to the top of the hierarchy of human senses, because printed letters affect human minds visually. The tradition of oral communications was in danger. Exactly at this moment many intellectuals turned their attention to the oral tradition. Although the hierarchy of human senses at this time was favorable to visual arts, the music culture was in full bloom in Germany at the first half of the 19. century.The important viewpoints of my research are the followings : 1. How the German intellectuals, such as Herder and Arnim, came to the ideas that they should collect and reserve old German folk songs. How their rediscovery of oral tradition influenced on the significance of acoustic elements in contemporary literary works. 2. The situation of the music culture of German bourgeois and their influences on the acoustic images of contemporary people.To put it concretely I researched in manifestoes, theoretical and literary texts of folk song collectors and contemplated specially the images of singing people in those texts, with reference to the following subjects : 1. relationship between the collecting of folk songs and national identity of the Germans. 2. today's critical judgment about the romantic view of oral tradition in the 19. century. 3. collecting of German nursery songs. On the other hand I researched in the critics of music historiographers and contemplated the images of women's music performances. I must inquire further why the German intellectuals about 1800 preferred to connect acoustic images with "others", such as women or "folk" i.e. uncultured people.

18世纪末和19世纪上半叶，当德国国家的印刷品数量急剧增加时，视觉上升到了人类感官层次的顶端，因为印刷的字母在视觉上影响着人类的思维。口头交流的传统正处于危险之中。正是在这个时候，许多知识分子将注意力转向了口头传统。尽管此时的人类感官等级有利于视觉艺术，但音乐文化在19世纪上半叶的德国已然盛开。我研究的重要观点如下：1.德国知识分子，如赫尔德和阿尼姆，是如何产生收集和保留德国古老民歌的想法的。他们对口头传统的重新发现如何影响当代文学作品中声学元素的重要性。 2、德国资产阶级的音乐文化状况及其对当代人声音形象的影响。具体来说，我研究了民歌收藏者的宣言、理论和文学文本，特别思考了这些文本中的歌唱者形象，参考以下主题：1、民歌收藏与德国人民族认同的关系。 2. 当今对19世纪口头传统浪漫主义观点的批判性判断。 3.德国童谣收集。另一方面，我研究了音乐史学家的批评，思考了女性音乐表演的形象。我必须进一步询问为什么大约 1800 年的德国知识分子更喜欢将声音图像与“其他人”联系起来，例如妇女或“民间”，即没有文化的人。