The acoustic perception of the World - Music in the German bourgeois culture and its images figured in the contemporary literature

在18的末尾。世纪和19世纪上半叶。20世纪，当德国国家的印刷品数量急剧增加时，视觉上升到了人类感官的最高层次，因为印刷的字母在视觉上影响着人类的思想。口头交流的传统受到了威胁。正是在这个时候，许多知识分子把注意力转向了口述传统。虽然此时人类感官的等级制度有利于视觉艺术，但音乐文化在19世纪上半叶的德国正处于鼎盛时期。世纪。本文研究的重要观点如下：1.研究方法：德国的知识分子，如Herder和Arnim，是如何产生他们应该收集和保存德国古老民歌的想法的。他们对口头传统的重新发现如何影响当代文学作品中声学元素的意义。2. 德国资产阶级音乐文化的现状及其对当代人声学形象的影响。具体地说，我研究了民歌收藏家的宣言、理论和文学文本，并特别思考了这些文本中唱歌的人的形象，参考了以下主题：1。德国人的民族认同与民歌收藏的关系。今天对19世纪口述传统浪漫主义观点的批判。世纪。3. 收集德国童谣。另一方面，我研究了音乐史学家的评论，思考了女性音乐表演的形象。我必须进一步追问，为什么1800年左右的德国知识分子更喜欢将声学图像与“他者”联系起来，比如女性或“民间”，即没有文化的人。

At the end of the 18. century and the first half of the 19. century, when the amount of printed matters increased drastically in German countries, the vision rose to the top of the hierarchy of human senses, because printed letters affect human minds visually. The tradition of oral communications was in danger. Exactly at this moment many intellectuals turned their attention to the oral tradition. Although the hierarchy of human senses at this time was favorable to visual arts, the music culture was in full bloom in Germany at the first half of the 19. century.The important viewpoints of my research are the followings : 1. How the German intellectuals, such as Herder and Arnim, came to the ideas that they should collect and reserve old German folk songs. How their rediscovery of oral tradition influenced on the significance of acoustic elements in contemporary literary works. 2. The situation of the music culture of German bourgeois and their influences on the acoustic images of contemporary people.To put it concretely I researched in manifestoes, theoretical and literary texts of folk song collectors and contemplated specially the images of singing people in those texts, with reference to the following subjects : 1. relationship between the collecting of folk songs and national identity of the Germans. 2. today's critical judgment about the romantic view of oral tradition in the 19. century. 3. collecting of German nursery songs. On the other hand I researched in the critics of music historiographers and contemplated the images of women's music performances. I must inquire further why the German intellectuals about 1800 preferred to connect acoustic images with "others", such as women or "folk" i.e. uncultured people.