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A study of the preservation and restoration of shrine murals and door paintings of the East Asian Shin Era (1616-1912) ; Restoration of a door mural at Kousaikyu shrine in Taiwan using Japanese classical painting methods

东亚真时代（1616-1912）神社壁画和门画的保存与修复研究；

基本信息

批准号：
15401002
负责人：
HAKOZAKI Mutsumasa
金额：
$ 5.57万
依托单位：
Kyoto Saga University of Arts
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (B)
财政年份：
2003
资助国家：
日本
起止时间：
2003 至 2005
项目状态：
已结题

项目摘要

Kyoto Saga University of Arts, Ganngoji Cultural Research Center and Taiwan National Cultural Assets Reservation Institute have conducted joint research on Taoism Temple's Shrine Kousaikyu designated as the third-grade archeological site located in Tainan City in Taiwan. The purposes of this project were as follows :1.To research classical painting techniques and materials applied to the mural and door paintings.2.To reproduce the mural and door paintings.3.To study the preservation of mural paintings thereby providing a model case for future preservation projects.1.As for the research, we focused on traditional techniques : groundwork with pig blood, wood oil painting, gilding swollen lines with gold leaf, and a technique for applying paint with a trowel. After we conducted interview surveys and literature research, we analyzed these techniques, comparing Japanese, Chinese and Korean methods, and then performed a series of practical experiments. The research would be valuable as a con … More trast of modern and classical techniques, at a time when modern techniques are replacing the more traditional ones.2.In reproducing the door painting of Kousaikyu we applied the original techniques and pigments used in the Shin Era for the purpose of the reproduction of classical techniques. In the reproduction of the door painting of the Oh royal family shrine, we aimed to recreate the original images and colors. In cooperation with Kyoto Saga University students, we copied pictures painted with a technique utilizing a trowel thereby employing Japanese painting processes.3.We made a rule for maintaining the status quo, and cleaned the surface of the paintings to prevent the paint from scaling off. We exhibited the achievement of the restoration and preservation of these cultural assets. The exhibition was highly evaluated in Taiwan as a breakthrough in the restoration of a cultural asset. We also gave lectures on the accomplishment of the research and exhibited the reproduction of paintings in Japan in 2003 and 2004. Less

本项目的目的如下：1。研究古典绘画技法和材料在壁画、门画中的应用。再现壁画和门画。研究壁画的保护，从而为未来的保护项目提供一个示范案例。在研究方面，我们主要运用了猪血打底、木油画、金箔烫金、泥刀上色等传统技法。在进行了访谈调查和文献研究之后，我们对这些技术进行了分析，比较了日本、中国和韩国的方法，然后进行了一系列的实际实验。在现代技术正在取代传统技术的时候，对现代技术和古典技术进行更多的对比。在再现《九世球》门画的过程中，我们采用了新时代的原始技术和颜料，目的是再现经典技术。在再现吴家祠门画的过程中，我们的目标是再现原貌和色彩。与京都佐贺大学的学生合作，我们复制了用泥刀绘制的图像，从而采用了日本绘画工艺。我们制定了维持现状的规则，并清理了画作的表面，以防止油漆脱落。我们展示了修复和保护这些文化资产的成果。此次展览在台湾被评价为文化遗产修复的突破。并于2003年和2004年在日本举办了研究成果讲座和绘画再现展。少