Creation-Presentation-Reception : Toward the Newer System of Art

多年来，艺术的三种基本实践--创作、呈现和接受--在美学和艺术史的研究中被分别讨论。似乎缺乏的是从综合的角度进行考虑，将这三种做法作为一个不可分割和相互关联的问题来处理。作为本研究计划的第一步，我们从某种综合的角度审视了当今艺术的状况，并指出了欧洲现代主义运动所确立的思维方式的局限性，例如：由艺术家个人创造力产生的艺术作品，显示出一种只有受过良好教育的精英才能享受的自主价值。在这样一个固定的现代主义框架内，我们再也无法解决今天艺术的复杂问题。艺术本身变得过于多元化。像博物馆或展览这样的艺术机构似乎陷入了僵局。艺术教育僵化 ...更多信息 打字。要想在这样的困境中有所突破，就必须对艺术与社会、文化、历史等关系的意义进行批判性的重新思考。本研究强调“呈现”作为艺术与社会、文化、历史的中介功能，我们探讨了建立一个更新的艺术实践体系的必要性，并为建立一个更加综合和动态的艺术体系开辟了可能性。三个角度。美学方法：阐明“呈现”作为社会主义与资本主义、大众性与精英性、物质性与纪念性、保护性与破坏性、场所性与历史性之间的中介的可能性与现实性.历史和博物馆学方法：阐明博物馆机构、艺术教育和文化财产保护中“展示”的利弊3.实际做法：从艺术家的角度来阐明创作、呈现和接受之间的关系我们在2007年5月发表了一份研究报告。此外，我们正在编辑一本书《艺术表现现象学》，其中反映了本研究项目的成果。少

Over the years, three fundamental practices of art -creation, presentation and reception - have been discussed separately from each other in studies both of aesthetics and art history. What seems to be lacking is a consideration from a synthetic point of view, dealing with these three practices as an inseparable and correlative matter. As the first step in this research project, we examined the condition of art today form a certain synthetic viewpoint and pointed out the limitation of the way of thinking, which had been established through the movement of the European modernisms, such as; an art work, produced by the individual creativity of artist, shows an autonomic value to be enjoyed by the elite who has good education. Within such a fixed framework of modernisms, we cannot resolve the complicated problems of art today any more. Art itself became too much pluralistic. The artistic institution like museum or exhibition seems to be in a deadlock. The artistic education became stereot … More yped. To make a breakthrough in such problematic condition, it should be necessary to reconsider critically the meaning of the relationship between art and society, culture, history and so on. In this research project, putting an accent on the function of 'presentation' as a mediator between art and society, culture, history, we investigated into the necessity of a newer system of artistic practice and opened the possibilities of building up a more synthetic and dynamic system of art. We approached the subject mainly from following three angles.1. aesthetic approach : to clarify the potentiality and actuality of the 'presentation' as a mediator between socialism and capitalism, popularity and elite, material and memorial, preservation and destruction, site and history.2. historical and museological approach : to clarify the advantages and disadvantages of the 'presentation' in museum-institution, artistic eduction and protection of the cultural properties3. practical approach : to clarify the correlation between creation, presentation and reception from the viewpoint of artistWe published a report of our research project in May 2007. In addition, we are now editing a book, Phenomenology of Artistic Presentation, in which the result of this research project is reflected. Less