Creation-Presentation-Reception : Toward the Newer System of Art

创作-呈现-接受:迈向更新的艺术体系

• 批准号: 16320021
• 负责人: MIKI Junko
• 金额: $ 9.02万
• 依托单位: Kyoto Institute of Technology
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (B)
• 财政年份: 2004
• 资助国家: 日本
• 起止时间: 2004 至 2006
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-16320021/
• 关键词: aesthetics; art studies; art criticism; presentation; Exhibition; museology; contemporary art; 文化と歴史; 制作と受容; ミュージアム(美術館); アートとテクノロジー; 「オクトーバー」; グッゲンハイム・ビルバオ; 直島; 制作; 受容; モダニズム; 建築; 写真

Over the years, three fundamental practices of art -creation, presentation and reception - have been discussed separately from each other in studies both of aesthetics and art history. What seems to be lacking is a consideration from a synthetic point of view, dealing with these three practices as an inseparable and correlative matter. As the first step in this research project, we examined the condition of art today form a certain synthetic viewpoint and pointed out the limitation of the way of thinking, which had been established through the movement of the European modernisms, such as; an art work, produced by the individual creativity of artist, shows an autonomic value to be enjoyed by the elite who has good education. Within such a fixed framework of modernisms, we cannot resolve the complicated problems of art today any more. Art itself became too much pluralistic. The artistic institution like museum or exhibition seems to be in a deadlock. The artistic education became stereot … More yped. To make a breakthrough in such problematic condition, it should be necessary to reconsider critically the meaning of the relationship between art and society, culture, history and so on. In this research project, putting an accent on the function of 'presentation' as a mediator between art and society, culture, history, we investigated into the necessity of a newer system of artistic practice and opened the possibilities of building up a more synthetic and dynamic system of art. We approached the subject mainly from following three angles.1. aesthetic approach : to clarify the potentiality and actuality of the 'presentation' as a mediator between socialism and capitalism, popularity and elite, material and memorial, preservation and destruction, site and history.2. historical and museological approach : to clarify the advantages and disadvantages of the 'presentation' in museum-institution, artistic eduction and protection of the cultural properties3. practical approach : to clarify the correlation between creation, presentation and reception from the viewpoint of artistWe published a report of our research project in May 2007. In addition, we are now editing a book, Phenomenology of Artistic Presentation, in which the result of this research project is reflected. Less

多年来，在美学和艺术史的研究中，三个基本的艺术实践——创作、呈现和接受——被分开讨论。似乎缺乏的是从一个综合的角度来考虑，将这三种实践作为一个不可分割和相互关联的问题来处理。作为本研究项目的第一步，我们从某种综合的角度审视了当今艺术的状况，并指出了通过欧洲现代主义运动建立起来的思维方式的局限性，例如；一件艺术作品是由艺术家的个人创造力创造出来的，它显示出一种自主的价值，为受过良好教育的精英所享受。在这样一个固定的现代主义框架内，我们无法再解决今天艺术的复杂问题。艺术本身变得过于多元化。像博物馆或展览这样的艺术机构似乎陷入了僵局。艺术教育变得刻板……要在这种问题重重的情况下取得突破，就有必要批判性地重新思考艺术与社会、文化、历史等关系的意义。在这个研究项目中，我们强调了“呈现”作为艺术与社会、文化、历史之间的中介的功能，探讨了一种新的艺术实践体系的必要性，并开启了建立一个更综合、更有活力的艺术体系的可能性。我们主要从以下三个角度探讨这个问题。美学方法：澄清“呈现”作为社会主义与资本主义、大众与精英、材料与纪念、保存与破坏、场地与历史之间的中介的潜力与现实。历史与博物馆学方法：阐明“呈现”在博物馆机构、艺术教育和文化财产保护中的利弊。实践方法：从艺术家的角度厘清创作、呈现与接受之间的关系2007年5月，我们发表了一份研究项目报告。此外，我们现在正在编辑一本书，《艺术呈现现象学》，其中反映了这项研究项目的结果。少

项目成果

Phenomenology of Artistic Presentation

艺术表现现象学

• 发表时间: 2007
• 期刊: Koyo-Shobo (under printing)
• 作者: Seisi;Namiki;木前利秋;Takao Ota(ed.)
• 通讯作者: Takao Ota(ed.)

描かれた東山-景観史と美術史の間で

画东山——风景史与艺术史之间

• 发表时间: 2006
• 期刊: 東山-京都風景論
• 作者: Wofgang;Schwentker;並木誠士
• 通讯作者: 並木誠士

Painted HIGASHIYAMA : Between the History of Site and the History of Art

彩绘东山：场地历史与艺术史之间

• 发表时间: 2006
• 期刊: HIGASHIYAMA-On the Landscape of Kyoto
• 作者: Kenichi;Mishima;Junko Miki;渡辺 裕;Toshiaki Kimae;渡辺 裕;Seisi Namiki
• 通讯作者: Seisi Namiki

The Possibility of Museum

博物馆的可能性

• 发表时间: 2006
• 期刊: Gakugei-Shuppan
• 作者: Seishi Namiki;Osamu Nakagawa
• 通讯作者: Osamu Nakagawa

文化という文脈I〜V

文化背景 I-V

• 发表时间: 2006
• 期刊: 建築人 502-506
• 作者: Otabe;Tanehisa;並木 誠士;岸 和郎
• 通讯作者: 岸 和郎