Depicted Images of Foreigners in the Modern Period : Japan, China, and the Western World.

在这个研究项目中，重点是分析跨越学科边界的欧洲、中国和日本的视觉来源中所描绘的异国情调。经过激烈的辩论，所有有关成员共同审议了这些领域的漫画杂志和电影。在这样做的过程中，我们分别从多边的角度考虑了如何才能做到“异国情调”或“异国情调”。首先，我们开始对外国人的形象进行分析，然后我们逐渐扩展了我们的研究对象。最终，我们达成了对包括城市、政治、制度、叙事和科学技术在内的广泛的外国主题的视觉形象的考虑。在这份最终报告中，我们的努力总计8篇论文，每一篇都充满了非常规的视角。通过我们的讨论，我们敏锐地意识到跨学科分析的重要性。我们研究的下一步必须走这条路。此外，我们进一步研究的另一个主题应该包括从国际媒体报道的角度分析战争等国际事件。

In this research project, the focal point is to analyze the foreignness or exoticism depicted in the visual sources of Europe, China, and Japan, across the disciplinary boundaries. Through energetic debates, all the members concerned have jointly worked on considering the pictorial magazines and films of these areas. In doing so, we respectively considered from a multilateral standpoint how it means to be "foreign", or to be "exotic". First of all, we embarked on the analysis of the images of "foreigners", and then we gradually expanded our subjects. Finally, we reached the consideration of a wide range of visual images of "foreign subjects", including city, politics, institution, narrative, and scientific technology.In this final report, our efforts amount to 8 theses, each of which is full of unconventional perspectives. Through our discussions, we become keenly aware of the significance of interdisciplinary analysis. The next step for our research has to come in this line. Furthermore, another subject for our further study should include the analysis of such international events as war in terms of international media coverage.