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THE PUBLIC IN THE 1930'S TAIWANESE LITERATURE AND THEIR LITERACY

1930年代台湾文学中的公众及其素养

基本信息

批准号：
17520225
负责人：
YOMOTA Chie
金额：
$ 0.99万
依托单位：
Yokohama National University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2005
资助国家：
日本
起止时间：
2005 至 2007
项目状态：
已结题

项目摘要

This project studied about the Taiwan literary world of the first half of 1930's A dispute to be called "native district literature dispute" happened in Taiwan of 30's. The focus of the dispute was what language they used. The purpose of this study is analysis of the popular literature concept in the disputes. The concept about the popular literature are different by the language of the writer, the generation, literacy, etc.As a result of study, the following became clear. There are five classes of readers in Taiwan in 30's;1. The illiteracy class, 2. The reader of The Chinese popular Literature class , 3. The reader of the Japanese popular literature class, 4. The Chinese elite class, 5. The Japanese elite class.And I studied chiefly about Taiwanese writer Yang Kui, that belongs to the Japanese elite class . Because he was a proletarian writer, so he was interested about the illiteracy class.He was going to give an ability of literacy for the illiteracy class. However, he failed in creation by the Taiwanese, he could not but create it in Japanese. It was his contradiction and suffering.

本课题研究的是20世纪30年代上半期的台湾文坛。30年代台湾发生了一场被称为“乡土文学之争”的论争。争论的焦点是他们使用什么语言。本研究的目的在于分析论争中的大众文学观。关于通俗文学的概念因作家的语言、代次、素养等不同而有所区别。30年代台湾的读者分为五类：1.文盲班，2。《中国通俗文学读本》，3。日本通俗文学课的读本，4。中国精英班，5。日本精英阶层，我主要研究的是台湾作家杨逵，他属于日本精英阶层。因为他是一个无产阶级作家，所以他对文盲阶层很感兴趣，他打算给文盲阶层一个识字的能力。然而，他在台湾的创作失败，他不得不在日本创作。这是他的矛盾和痛苦。