A Multifaceted Study of Yuefu in the Northern and Southern Dynasties

在研究中，我们翻译并修订了《隋书阴月志》。此外，通过对修订文本的分析，揭示了从南北朝末年到隋朝朝廷音乐及其系统的整理和整合过程。我们也阐明了朝廷音乐从南北朝到隋朝的过渡。也就是说，在南朝，梁朝改革了宫廷音乐。这一变法经过陈朝的改进，对隋朝宫廷音乐的发展产生了很大的影响。此外，在北朝时期，合法音乐和非法音乐被统一为一种新的宫廷音乐风格，然后被隋朝的正式音乐和非正式音乐所同化。

In the study we have translated and revised "Sui shu Yin yue zhi." Moreover, through the analysis of the revised text, we have revealed the process through which Court music and its system had been arranged and integrated from the end of Northern and Southern Dynasties to the Sui Dynasty. We have also clarified the transition of Court music from the Northern and Southern Dynasties to the Sui Dynasty. That is to say, in the Southern Dynasties, the Liang Dynasty reformed Court music. The reformation, through the improvement by the Chen Dynasty, had a great influence on the development of Court music by the Sui Dynasty. Furthermore, in the Northern Dynasties, the legitimate music and illegitimate music were united into a new style of Court music, and then it was assimilated into the formal and informal music of the Sui Dynasty.