Auditory Cultural Studies : a reconception of musical aesthetics for ownership, space, and media.

在听觉文化研究的理论背景下，对近年来数字媒体环境下的声音文化和话语进行了理论考察。特别是，从乔纳森·斯特恩（Jonathan Sterne）的《可听的过去》（2003）的角度来看，它讨论了几个主题，例如电子乐器的肉体性，具有电子声乐的虚构人物的主体性，文化和音乐产品的所有权，以及乐器概念的转变。

On theoretical background of auditory cultural studies, it has been developed theoretical examination of sound cultures and the discourses in recent digital mediascape. Especially, from a view of Jonathan Sterne's 'The Audible Past' (2003), it has discussed several topics, for example corporeality on electronic instruments, subjectivity of a fictional character with electoronic vocals, ownership of cultural and musical products, and the transformation of concepts on musical instruments.