Around research-Asai Ryoi, Isome Tuna about the calligraphy copy activities of Edo former term writer

本研究以浅井龙人、金枪鱼二人为研究对象，通过对江户时代前学期书法抄写活动的调查，弄清了这些活动的实际情况，再次询问了江户时代书法抄写活动的作者活动。至于江户时代中期以前的人，日本古典文学作家可能会特意说，这几乎不清楚。它就在这里，通常不清楚是谁复制了更多的作品，也不清楚是谁创作了一部作品。很明显，书法抄写了许多抄本和奈良绘本、画卷之类的，浅井龙井，这是最大的Kana草儿童作家，而且，很明显，书法抄写了许多抄本和奈良绘本，画卷是相同的，Iome金枪鱼，这也是一个女性方式的交通事情作家后年龄费用。至于这些两个人的书法抄本，目前的状况是连一个现任舞台都会陆续出现。它注意到，因此，在伊瑟姆金枪鱼中，一名妇女作为身体的书法家与图片导师同时在前面工作了300多年。它和那张可爱的照片一起思考着作为一个全球罕见的女性方式图画书作家的存在意义。

This research asked it those writer activities about the calligraphy copy activities of the writer in the Edo Period former term again after investigation was researched around two people of Asai Ryoi, Isome Tuna and the actual condition of those activities was cleared. As for the person before the Edo Period middle, the writer of the Japanese classical literature may specially say that it isn't almost clear. It is here, and it isn't often clear in whether who as well copied that more, whether who created a work, either. It became clear that calligraphy copied many transcriptions and Nara picture book, picture scroll of such, Asai Ryoi, which was the biggest kana grass child writer, And, it became clear that calligraphy copied many transcriptions and Nara picture book, picture scroll to be the same, Isome Tuna, which was a woman way traffic thing writer after the age fee, too. As for these calligraphy transcriptions of two people, it is the present condition that even an incumbent stage appears one after another. It notices that therefore a woman served as the calligrapher of the body concurrently with the picture mentor for more than 300 years in the front in once again Isome Tuna. It thinks with the thing which adds that existence meaning as a worldwide rare woman way picture book writer together with that cute picture.