Fundamental research for Edo-zenki-emaki

《江户增基emaki基础研究》是我从2003年到2005年关于江户增基emaki的论文的集合。我主要使用《科研项目摘要，科研资助》为江户增基emaki在日本的图书馆和博物馆做研究和拍照。我比较了每一份江户增基emaki，发现许多江户增基emaki都有相同的笔迹。江户增基emaki没有签名，所以，我们无法知道是谁写的江户增基emaki。但是，根据对日本古典手稿的研究，我发现浅井良井和浅仓竹研撰写了江户增基。所以，我们知道江户卷木是在江户家生产的，江户家销售江户卷木。我为江户增基和奈良做了研究，但还没有完成。未经研究的江户真基和那拉洪人肯定无处不在。所以，我想继续为江户增基emaki做研究，并对它进行分类。

"Fundamental research for Edo-zenki-emaki" is the book of gathering my treatises about Edo-zenki-emaki from 2003 to 2005. I mainly used "Abstracts of research project, Grant-in-Aid for Scientific Research" for doing research and taking photos for Edo-zenki-emaki at Japanese libraries and museums. I compared each Edo-zenki-emaki, and found the same handwriting in many Edo-zenki-emaki. Edo-zenki-emaki do not have a signature, so, we can not be known who write Edo-zenki-emaki. But, according to research for Japanese classical manuscripts, I found RYOI ASAI and JUKEN ASAKURA writed Edo-zenki-emaki. So, we knew Edo-zenki-emaki are made in Ezoshiya, and Ezoshiya saled Edo-zenki-emaki. I did research for Edo-zenki-emaki and Nara-ehon, but it is not finished. Un-researched Edo-zenki-emakis and Naraehons must be in every-where. So, I want to continue doing research for Edo-zenki-emaki, and classify it.