A Study of the Arts and Performing Arts depicted in Tibetan BuddhismSymbols and Representations Acrossing from Himalaya to Hexi Corridor at Gansu West border of China.

藏传佛教中的艺术和表演艺术研究，从喜马拉雅山到中国甘肃西部边境的河西走廊。

• 批准号: 21401018
• 负责人: HATTORI Tosaku
• 金额: $ 10.57万
• 依托单位: Hiroshima City University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (B)
• 财政年份: 2009
• 资助国家: 日本
• 起止时间: 2009 至 2012
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-21401018/
• 关键词: チベット; 河西回廊; 密教美術; 工芸美術; シルクロード; チベット仏教; ヒマラヤ; 吐蕃古道; 青海省; 甘粛省; 国際情報交換 中国; モンラム; 巡礼路; タボ; スピティ; 密教; 北西インド; 敦煌

The purpose of this study refer to Arts and Crafts, and Performing Arts in the symbolism of the Tibetan esoteric Buddhism at the Cathay corridor,Gansu of China.However,the studies about the Conventional of these ware tending as silk road culture and Chinese points of view till now.This study consider the Cathay corridor not only vague borderland but also the cultural crossroad of Western and Tibetan world.The contents obtained from this study are as follows. At first, as for the remarkable cultural transformation established nomads culture flowed by the Sixteendinasties(AD. 304～439). As for the cultural influences by the nomadic tribe, In their faith in Buddhism, Buddha and/or Maitreya Buddha images that posture showed European sitting posture, crossleg, and latitasana besides traditional latitasana on the throne. These images presented in wall painting and statues at the cave temples Dunhuang no.275 and BianLing Si Grottoes no.169,where along paths of pilgrims, the way from Dunhuang a … More nd Amdo to Lanzhou, and Xian.As for this study shows a evidence that ancient Tibet so called Tufan route from Lhasa to the Kumbum,near Xian, Qinghai、had been connecting to the Lanzhou, however,there was another route to Lanzhou along Kham (East Tibet,now part of Sichuanprovince) ,Lebkong,Amdo(East Tibet,now Qinghai) and to south Lanzhou via Labrang and Bian Ling Si monastery. Cathay corridor had important functions as the crossroad of pilgrimage to bind the base of the faith together, As for this study what became clear, the traditions are going into a steady decline now by Chinese into the corridor,urbanization, motorization, the modernization to the traditional Tibetan faiths.The decline contents appear typically in the decline of the base monastery.ｔhe decline of the paths of pilgrims and connection of ｍonestries.and cultural area of traditional Tibetan are keeping but changing to the Chinese.In addition, Wall painting, sculptures, crafts,architecture in the arts,and expression (Cham,religious parade,faith events,etc) are changing. There are signs of the revival in cultural resources (skill, traditional craftsman,) since cultural revolution, but problems such as the succession and the restoration of declining the culture rapidly. To changing a tradition of the techniques,product materials, and the qualities by the modern materials and techniques changed . The arts turn to the modern copy. Less

然而，关于这些瓷器的传统研究至今仍倾向于丝绸之路文化和中国观点。本研究得到的内容如下：首先，就16世纪游牧文化所形成的显著文化转型而言。304～439). 对于游牧部落的文化影响，在他们的佛教信仰中，佛像和/或弥勒佛像的姿势除了传统的坐位姿势外，还表现出欧式的坐姿、交叉、坐位等。这些形象表现在敦煌石窟寺的壁画和造像中。275号和汴陵寺石窟。公元169年，沿着朝圣者的道路，从敦煌到兰州和西安。含量的下降主要表现在基寺的下降中。朝圣之路的衰落和修道院之间的联系。此外，壁画、雕塑、工艺品、艺术中的建筑和表达（占族、宗教游行、信仰活动等）也在发生变化。文化大革命以来，文化资源（技艺、传统工匠等）出现了复兴的迹象，但文化的传承与修复等问题迅速衰落。要改变一种传统的工艺，产品的材料和质量由现代材料和技术改变。艺术转向现代摹本。少

项目成果

オリジナルに戻る――金剛経の保存

回归本源——《金刚经》保存

• 发表时间: 2010
• 期刊: 第32回文化財の保存及び修復に関する国際研究集会
• 作者: 中野照男(訳);マーク・バーナード
• 通讯作者: マーク・バーナード

ペリアンと日本のデザイン青春時代

佩里安与日本设计的年轻人

• 发表时间: 2012
• 作者: Tetsuya Amano;Hideo AKANUMA;Artur V. Kharinskiy;中野照男;Momoki Shiro;菊池俊彦;服部等作
• 通讯作者: 服部等作

東京国立博物館保管壁画仏坐像を通して見たクムトラ石窟第45窟壁画の諸問題,『庫木吐喇千仏洞保護修復工程報告』

通过东京国立博物馆收藏的佛坐壁画看到的第45窟金虎洞壁画的问题《库姆十华千佛洞保护修复过程报告》

• 发表时间: 2011
• 作者: マーク・バーナード;赤尾栄慶;中野照男;鼎談;呉人恵;石田肇・下田靖・米田穣・内藤裕一・長岡朋人;服部等作;武内房司;呉人恵;風間伸次郎;服部等作;松枝大治;嶋尾稔;奥山直司;風間伸次郎;Вадим Тимохин;嶋尾稔;奥山直司;遠藤史;赤石慎三・越田賢一郎・中村和之・竹内孝;服部等作;嶋尾稔;呉人徳司;石橋孝夫・ 中村和之 ・竹内孝・越田賢一郎;服部等作,他,井本英一(編);白石英才;Momoki Shiro;Tetsuya Amano;中野照男;風間伸次郎;Momoki Shiro;服部等作;菊池俊彦;奥山直司;Momoki Shiro;遠藤史;奥山直司;Yury G. Nikitin;呉人恵;Momoki Shiro;服部等作,,篠田知和基(編);関口 明;西村昌也他(編著);白石英才;中野照男
• 通讯作者: 中野照男

チベットの探検-新アジア仏教史09チベット, 須弥山の仏教世界

西藏探秘——新亚洲佛教史09西藏，须弥山的佛教世界

• 发表时间: 2010
• 作者: 西村昌也;他2名(共編著);服部等作(単著);西村昌也(編著);風間伸次郎;増田隆一;奥山直司
• 通讯作者: 奥山直司

遊牧民族の座法が五涼の仏座像に及ぼした影響に関する研究

游牧打坐习俗对高丽佛坐像的影响研究

• 发表时间: 2012
• 期刊: 芸術学研究紀要
• 作者: SHINTANI Tadahiko;嶋尾稔;Tadahiko L.A.SHINTANI;松尾信之;DANIELS Christian;八尾隆生;Momoki Shiro;Christian DANIELS;新谷忠彦;嶋尾稔;DANIELS Christian;Christian Daniels(クリスチャン・ダニエルス);八尾隆生;クリスチャン・ダニエルス;八尾隆生;クリスチャン・ダニエルス;桃木至朗;ダニエルス・クリスチャン;Momoki Shiro;ダニエルス・クリスチャン;ダニエルス・クリスチャン;武内房司;武内房司;SHINTANI Tadahiko;Tadahiko Shintani;武内房司;嶋尾稔;ダニエルス・クリスチャン;クリスチャン・ダニエルス;嶋尾稔;SHINTANI Tadahiko;嶋尾稔;SHINTANI Tadahiko L.A.;八尾隆生;SHINTANI Tadahiko;桃木至朗;Tadahiko L.A.SHINTANI;SHINTANI Tadahiko;Momoki Shiro;新谷忠彦;武内房司;服部等作;新谷忠彦;武内房司;服部等作;嶋尾稔;服部 等作
• 通讯作者: 服部 等作