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The inheritance of dynastic culture and the influx of Zen culture in The Waka poem of Nanbokutyou Period

南北朝时期和歌诗中的王朝文化的传承与禅宗文化的涌入

基本信息

批准号：
21720084
负责人：
AO Asuka
金额：
$ 1.56万
依托单位：
National Institute of Japanese Literature
依托单位国家：
日本
项目类别：
Grant-in-Aid for Young Scientists (B)
财政年份：
2009
资助国家：
日本
起止时间：
2009 至 2011
项目状态：
已结题

项目摘要

In this research, it was started with clarifying the concrete aspects of the inheritance of the dynastic culture and the poetry of seclusion in the Waka poems of Hushimiin. It cleared that the characteristics of Genjidori, borrowing from Genji, of Hushimiin reside in the point that even the descriptions of nature which had nothing to do with the plots of stories were included, such Genjidori was meant for pursuing a pattern of aesthetic sense of the dynastic culture. Such attitude of Genjidori indicated that the court culture of Jimyoin-party was showing a sign of transformation in the reign of Hushimiin. Additionally, about the poetry of seclusion of Hushimiin, it was from Chinese prose and poetry such as"Hakushibunnshuu"that had bigger influences. Presently, the work is being advanced to clarify the Confucianism of Hanazonoin and the situation of influx of Zen culture, into the court of Jimyoin-party. Additionally, in relation to the above points, as for the innate characteristics of unique materials for Waka poem, it was pointed out that they are of such nature that vividness needs to be excluded from the subject materials so that they will be born again and composed as expression for poem. I pointed out that Kyogokutamekane had a contact with Kokindenju, the initiation into the secret of Collection of"Kokinwakashuu", of Tameakiraryuu which followed Mikkyo, which is related to the establishment of the new theory of KyogokuhaWaka poetry.

本研究从胡适民和歌诗中对王朝文化的继承和隐逸诗的具体方面入手。明确了《元智传》的特点，即借鉴《元智传》的《浮世绘》，将与故事情节无关的自然描写也包括在内，这种《元智传》是为了追求一种王朝文化的审美模式。元智通的这种态度，表明了在户部主事时期，神民院党的宫廷文化正呈现出转型的迹象。此外，关于胡诗敏的隐逸诗，它是从中国散文和诗歌，如“白诗文秀”，有较大的影响。目前，工作正在推进，以澄清花院的儒家思想和禅宗文化涌入的情况，进入智贤院党的法院。另外，针对上述问题，就和歌诗独特素材的本质特征而言，指出和歌诗的独特素材的本质特征是：需要从题材素材中剔除生动性，使其再生，并作为诗歌的表现形式而创作。本文指出，京极田目兼与御教之后的为明龙的《光光传集》秘密的启蒙，以及与京极和歌诗新理论的建立有关。