The literary theory of Maurice Blanchot and the modern art

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I published The Minimal Image of the Literature, a study on the relation between language and image in the literary theory and the fictions of Maurice Blanchot, eminent literary critic of 20^<th> century France. And from that perspective, I analyzed (1) the poetics and the essays on the picture of 19^<th> poet Stephane Mallarme, (2) the fragmentary form found in the modern art in the 1950-60 and practiced by Blanchot, (3) the poetics and the essays on the metaphor of the contemporary poet Michel Deguy, (4) the novels on the work of art of Appolinaire and Balzac.