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The Gender Consciousness in Yue Opera and its Signigficance in Modern Days-Seeking the possibility of all-female theater by comparing those of Japan and China

越剧中的性别意识及其现代意义——通过中日比较寻找全女剧的可能性

基本信息

批准号：
22520163
负责人：
NAKAYAMA Fumi
金额：
$ 2.58万
依托单位：
Kobe Gakuin University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2010
资助国家：
日本
起止时间：
2010 至 2012
项目状态：
已结题

项目摘要

This study aims to explore the possibility of all-female theater of Japan and China. It was found that the personality of the heroine of“Ban Zhao”directed by Yang Xioaqing was very much different in Yueju, all-female theater from that of Kunqu(昆劇), male and female theater. To comprehend the current situation of the all-female theater in China, we organized a lecture meeting in Osaka by Qian Jue, female theater director. Furthermore, we supported to present the play “Soredemo watashi wa sora wo miru (I still look up the sky)” in Shanghai and held a round-table discussion by female theater people to elucidate the difference of gender consciousness in Japan and China.

This study aims to explore the possibility of all-female theater of Japan and China. It was found that the personality of the heroine of “Ban Zhao” directed by Yang Xioaqing was very much different in Yueju, all-female theater from that of Kunqu, male and female theater. To comprehend the current situation of the all-female theater in China, we organized a lecture meeting in Osaka by Qian Jue, female theater director. Furthermore, we supported to present the play “Soredemo watashi wa sora wo miru (I still look up the sky)” in Shanghai and held a round-table discussion by female theater people to elucidate the difference of gender consciousness in Japan and China.

项目成果

期刊论文数量（0）

专著数量（0）

科研奖励数量（0）

会议论文数量（0）

专利数量（0）

中国年鑑2012

中国年鉴2012

DOI：
发表时间：
2012
期刊：
影响因子：
0
作者：
小野博司;長友昭;長友昭;N.G.ジョーンズ(高友希子訳);長友昭;長　友昭;N.G.ジョーンズ（高友希子訳）;中国研究所編;N.G.ジョーンズ（高　友希子訳）;奥田進一編著;奥田進一編著;中国研究所編;中国研究所;中国研究所編
通讯作者：
中国研究所編

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