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Research on the Relationship beween Rhythme and Figure in the Poetical Language

诗歌语言中韵律与形象关系研究

基本信息

批准号：
22520335
负责人：
MARUKAWA Seiji
金额：
$ 1.33万
依托单位：
Waseda University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2010
资助国家：
日本
起止时间：
2010 至 2012
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-22520335/
关键词：
仏文学美学ヨーロッパ語系文学

项目摘要

The first article of Seiji Marukawa resulting from this research project, entitled “The Note on Rhythm and Figure”, examines the fundamental relationship between the Greek word “rhuthmos” and the notions of Form or Figure at their origin, tries further to take into account the influence this connection could have on the conditioning of human perception and imagination, on the formation of his environment, from the anthropological, aesthetical, poetical and philosophical point of view. The second article, “The Note on Rhythm and Figure (s)” took the concrete example from the Aesthetic domain, namely the Swiss painter Paul Klee and his conception of Rhythm rendered in some of his work, discusses the spatial notion of Rhythm, in the historical context and in comparison with the similar conception of his contemporary artists (such as Robert Delaunay). Concerning the poetical language, Seiji Marukawa took part in the International Colloquium on the French poet-philosopher Michel Deguy held in March 2011 and read a paper on his theory of Rhythm (and Figure), which was developed and to be published in a book in the near future. He also made an article on the the collection of poems by Paul Claudel entitled “Cent phrases pour l’eventail”, examined closely how his idea of Rhythm (related to that of Figure) can be detected in the creation of these brief poems extending over several seasons and trips (this article was submitted to an Academic Journal and now is awaiting the verdict). Throughout theses articles is observed : if the notion of Rhythm normally associated with Temporality and Musicality is inseparable from the spatial image, it is nevertheless quite apart from the symmetry and is to be put together with the balance, the equilibrium, crucial notions to conceive Rhythm.

丸川诚司的第一篇文章《关于节奏和图形的注释》是从这个研究项目中得出的，它考察了希腊语“rhuthmos”和形式或图形概念之间的基本关系，并试图进一步考虑这种关系对人类感知和想象的制约，对他的环境的形成，从人类学，美学，诗歌和哲学的观点。第二篇《关于节奏和图形的笔记》从美学领域选取了具体的例子，即瑞士画家保罗·克利及其作品中的节奏概念，在历史的背景下，并与他同时代的艺术家（如罗伯特·德劳内）的类似概念进行了比较，讨论了节奏的空间概念。关于诗歌语言，丸川征尔参加了2011年3月举行的法国诗人哲学家米歇尔·德吉的国际学术讨论会，并宣读了他关于节奏（和图形）理论的论文，该论文已被开发并将在不久的将来出版。他还发表了一篇关于保罗·克劳德尔诗集的文章，题为“Cent phrases pour l'eventail”，仔细研究了他的节奏（与数字有关）的想法如何在这些简短的诗歌创作中被发现，这些诗歌延续了几个季节和旅行（这篇文章被提交给学术期刊，现在正在等待判决）。纵观这些文章，我们可以看到：如果通常与时间性和音乐性相关的节奏概念与空间意象是不可分割的，那么它与对称性是完全不同的，它将与平衡、均衡、关键的概念放在一起来构思节奏。