Ivan Pyr'ev and Rural Musical Comedies in the Soviet Union of the Stalin Era

伊万·皮耶夫与斯大林时代苏联的乡村音乐喜剧

• 批准号: 23720070
• 负责人: TANAKA Masaki
• 金额: $ 1.33万
• 依托单位: The University of Tokyo
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Young Scientists (B)
• 财政年份: 2011
• 资助国家: 日本
• 起止时间: 2011 至 2013
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-23720070/
• 关键词: ソ連; 社会主義リアリズム; ミュージカル・コメディー; 農村共同体; スターリン批判; 映画; ソヴィエト文化; 大衆文化; スターリン時代; ロシア

My presentation at the annual meeting of the Japan Association for the Study of Russian Language and Literature, "The Representations of the Post-War Kolkhoz in Ivan Pyr'ev's Kuban Cossacks," focused on the representations of fieldwork in Pyr'ev's 1949 film. While his former films express Soviet ideology by depicting struggles in everyday work, Kuban Cossacks is characterized by amusing elements at the fair, with fieldwork undertaken in a symbolized manner, thus suggesting the realization of a utopian society.My paper "The Figure of Ivan the Terrible in an Unrealized Project of I. Pyr'ev" analyzes archival materials kept in the RGALI on Pyr'ev's little-known scenario of the Tzar. This paper shows Pyr'ev's aim in his plan to depict a new hero who was more suited, in contrast to S. Eisenstein's hero, to the norms of Soviet culture.

我在日本俄罗斯语言文学研究协会年会上的演讲“伊万·皮耶夫的库班哥萨克中战后集体农庄的表现”重点讨论了皮耶夫 1949 年电影中田野调查的表现。虽然他以前的电影通过描绘日常工作中的斗争来表达苏联意识形态，但《库班哥萨克》的特点是集市上的有趣元素，以象征性的方式进行实地考察，从而暗示了乌托邦社会的实现。 沙皇。本文表明了皮耶夫计划描绘一位新英雄的目标，与爱森斯坦的英雄相比，他更适合苏联文化的规范。