Development on an online-caralogue raisonné of German Drawings 1800-1850 in the Department of Prints and Drawings in the Hamburger Kunsthalle

除了早期大师的画作，1800年至1850年期间的德国画作构成了汉堡美术馆库普费斯蒂奇卡比内最重要的藏品。浪漫主义艺术家菲利普·奥托·龙格和凯斯帕·大卫·弗里德里希的非凡作品在国际上具有至关重要的意义，但在2000多幅画作中，也有来自拿撒勒人和德国人Römer的绘画技艺的例子，在艺术史上是非凡的。它们以前从未被完整地展出过，也从未在库普费斯蒂奇卡比内特的完整收藏中被语境化过。由于迄今为止还没有对全部收藏进行系统的编辑和记录，因此其水平完全不足，不符合科学标准。对藏品的学术研究不仅会对单幅画和艺术家产生新的见解，而且对绘画收藏史也有重要的贡献。自2009年10月1日起，该项目的目标是首次向公众和学者开放19世纪上半叶德国绘画的全部重要收藏。在使用博物馆管理系统MuseumPlus收集的数据的基础上，已经开发出了一个收藏的学术目录，其中包含了完整的摄影和图纸的技术注册，技术，测量，日期，铭文，库存编号，水印，将其与参考对象的参考书目以及大量的出处文件及其艺术历史标准联系起来。从这个项目中获得的见解将发表在一个开放获取的在线数据库中。基于后端数据库MuseumPlus的web客户端eMuseumPlus允许在单独设计的网站上展示结果以及对艺术史标准的研究。它在多媒体和虚拟旅游舞台上也有应用。此外，eMuseumPlus以长期数据备份的方式保证数据分配。

Next to the Old Master drawings, the German drawings of the period 1800 to 1850 constitute the most important collection in the Kupferstichkabinett at the Hamburger Kunsthalle. The extraordinary oeuvres of the Romantic artists Philipp Otto Runge and Caspar David Friedrich are of paramount international importance, but among the over 2000 drawings there are also examples of draughtsmanship from the Nazarenes and Deutsch Römer that are remarkable for art history. They have never before been exhibited in their entirety or contextualized within the complete collection of the Kupferstichkabinett. Because a systematic editing and documentation of the total collection had not hitherto taken place, it was on a completely inadequate level that did not meet scientific standards. The schorlarly work on the collection not only will yield new insights concerning single drawings and artists, but also is an important contribution to the history of drawing collections. Since October 1, 2009, the project has aimed to make for the first time the entire significant collection of German drawings from the first half of the 19th century in the Kupferstichkabinett at the Hamburger Kunsthalle accessible to the public as well as to scholars. On the basis of data compiled using the Museumsmanagementsystem MuseumPlus, a scholarly catalogue of the collection has been developed that contains the complete photographic and technical registration of the drawings, technique, measurements, dating, inscriptions, inventory number, watermark, connecting it with a bibliography referring to the object as well as substantial provenance documentation and their art historical criteria. The insights earned from this project will be published in an online-database with open access. The webclient eMuseumPlus, based upon the backend database MuseumPlus, permits the presentation of the results on individually designed websites as well as research for art historical criteria. It also has applications in multimedia and virtual tour arenas. Moreover eMuseumPlus guarantees the assignment of data in terms of long term data backup.