Reconstruction Kyoto Royal palace of Tohukumon'in, and its panel paintings

Enman‘in Shinden于1647年从Tohukumon’in(德川雅子)的Otsubone移出。根据现存建筑的实物遗迹和奥松内建成时的数据，我们重建了推拉门油漆的原始平面和位置。柴山Noritoyo写的两封信决定了这一时期。在Tsunenogoten之前，这座建筑曾被用作Tohukumon‘in的信登。到目前为止，Daikakuji Shinden的Botannoma的画家很可能是Kano Sanraku。但推拉门适合现在的特殊计划，桑拉库于1635年去世。所以我们不得不再次询问画家。Tohukummon‘in的其他建筑是仙女寺Shariden，Myouhou’in Genkan和Oshion。我们还研究了他们的建筑和绘画。房间以板画(滑门和墙壁)为主题。如果店主是像Tohukumon‘in这样的女性，主题往往是女性。例如，《南禅寺》中的火影忍者就是中国女性。Ohojo是从天皇之母新京门的Taimenjo移来的，所以画是为她画的。Honganji Shoin让推拉门给女人上了漆。我们试图弄清肖恩的历史，以及为什么选择这个主题。这些结果来自于对建筑和板画的研究。

The Enman'in Shinden was moved from the Otsubone of the Tohukumon'in (Tokugawa Masako) in 1647. According to the physical remaining on the present building and the datas of Otsubone when it built, we reconstructed the original plan and location of the sliding door paintings.The Daikakuji Shinden was moved from the Tsunenogoten of Myoshou'in in 1642-43. Tow letters written by Shibayama Noritoyo decided this period. Before Tsunenogoten, the building had been used as the Shinden of Tohukumon'in. Until now, the painter of Botannoma in Daikakuji Shinden is likely Kano Sanraku. But the sliding doors suits special present plan, and Sanraku died in 1635. So we have to inquire the painter again.Other buildings of the Tohukummon'in are Sennyuji Shariden, Myouhou'in genkan and Oshion. We researched their buildings and paintings too.The room is characteristic by the theme of panel paintings(sliding doors and walls). If the owner was woman like Tohukumon'in, the theme often became women. For example the representations of Narutakinoma in the Nanzenji Ohojo is Chinese women. The Ohojo was moved from taimenjo of Shinjitomon'in the mother of emperor, so paintings were drawn for her. Honganji Shoin has the sliding doors painted women. We are trying to clear the history of Shoin and why the theme was selected.These result followed from the research both architecture and panel paintings.