Reconstruction Kyoto Royal palace of Tohukumon'in, and its panel paintings

1647年，德川雅子（Tokugawa Masako）从东宫院（Tohuyun 'in）的大本（Otsubone）迁移到了新殿。根据现存建筑物的实物和大坪建造时的数据，我们重建了推拉门画的原始平面和位置。大阁寺新殿于1642-43年从妙秀院的常能御殿迁移而来。柴山纪丰写的两封信决定了这一时期。在Tsunogoten之前，这座建筑被用作Tohuyanon 'in的Shinden。到目前为止，大阁寺新电的植物瘤的画家很可能是鹿野三乐。但是滑动门适合特殊的现在计划，Sanraku死于1635年。所以我们必须再询问一下画家。Tohuwoman 'in的其他建筑是Sennyuji Shariden，Myouhou'in Genkan和Oshion。我们也研究了他们的建筑和绘画。房间的特点是面板画的主题（推拉门和墙壁）。如果主人是像Tohuyon 'in这样的女人，主题往往成为女性。例如，《南禅寺大北条》中的鸣泷驹是中国女性。大北条是从天皇母亲的新司门的大门里搬来的，所以画了她的画。本愿寺松阴有画女人的推拉门。我们试图弄清松阴的历史和为什么选择这个主题。这些结果是通过研究建筑和面板画得出的。

The Enman'in Shinden was moved from the Otsubone of the Tohukumon'in (Tokugawa Masako) in 1647. According to the physical remaining on the present building and the datas of Otsubone when it built, we reconstructed the original plan and location of the sliding door paintings.The Daikakuji Shinden was moved from the Tsunenogoten of Myoshou'in in 1642-43. Tow letters written by Shibayama Noritoyo decided this period. Before Tsunenogoten, the building had been used as the Shinden of Tohukumon'in. Until now, the painter of Botannoma in Daikakuji Shinden is likely Kano Sanraku. But the sliding doors suits special present plan, and Sanraku died in 1635. So we have to inquire the painter again.Other buildings of the Tohukummon'in are Sennyuji Shariden, Myouhou'in genkan and Oshion. We researched their buildings and paintings too.The room is characteristic by the theme of panel paintings(sliding doors and walls). If the owner was woman like Tohukumon'in, the theme often became women. For example the representations of Narutakinoma in the Nanzenji Ohojo is Chinese women. The Ohojo was moved from taimenjo of Shinjitomon'in the mother of emperor, so paintings were drawn for her. Honganji Shoin has the sliding doors painted women. We are trying to clear the history of Shoin and why the theme was selected.These result followed from the research both architecture and panel paintings.