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Processes of devising Composed Theatre. Resubmission

创作戏剧的过程。

基本信息

批准号：
AH/G014418/1
负责人：
David Roesner-Lagao
金额：
$ 1.32万
依托单位：
UNIVERSITY OF EXETER
依托单位国家：
英国
项目类别：
Research Grant
财政年份：
2009
资助国家：
英国
起止时间：
2009 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FG014418%2F1
关键词：
Processes devising Composed Theatre.Resubmission

项目摘要

Summary This workshop series aims to bring together practitioners and scholars that work in a particular field of contemporary experimental music-theatre: Composed Theatre. This refers to forms of theatre, where the theatrical means of expression (gesture, light, sound, movement, text etc.) are explicitly composed according to musical principles (repetition, variation, motif, rhythm etc.). This group will address four questions about Composed Theatre: what are its the key characteristics, how does its devising differ from conventional creation processes, what effects do its processes have on our notions of authorship, dramaturgy, composition and notation, and how does Composed Theatre change our understanding of the interplay of music and theatre.Composed Theatre often results in performances that employ working processes that circumvent traditional hierarchies of collaboration and divisions of labour. While conventionally a librettist and composer create 'the work', which is then put on stage by stage-, costume-, light-designers and performers under the authoritative leadership of the conductor and the director, Composed Theatre often employs collective creativity and flat hierarchies.The workshops series seeks to address the processes that generate this kind of work - an area of music-theatrical performance that has been widely neglected by researchers so far. Given the experimental nature of the practices in question it is precisely the process and its conceptual, material and personnel decisions and the emerging interactions that hold the novelty of the resulting work and enable the interplay between the arts to be re-negotiated.The aim of the series is thus to investigate and compare different artistic processes and approaches to devising Composed Theatre and to stimulate an intensive discussion about the nature of these processes. The series will also reflect on these processes' relevance for specific performances in particular and music-theatre in general. All practitioners will be asked in turns to focus on a characteristic aspect of their artistic processes towards Composed Theatre and then exemplify and demonstrate their approach interactively. Conducting this exchange as a workshop series thus allows all participants to experience and observe the exemplified processes as processes and not finished papers or reports. These practical explorations will be audio-visually recorded. Interviews with each practitioner in front of an invited audience will embed the individual sessions within their wider practice. In addition, eminent practitioners and scholars will add theoretical and artistic perspective with a number of 'provocations' that will contextualize and frame the sessions further. The provocations may concern singular examples of collaborative experimental practice in music-theatre as well as methodological and analytical considerations. The sessions, interviews and provocations will be open to the public and will be advertised to specialist audiences.In the second of two three-day meetings the group will meet in forums, where they will consider and compare the various approaches and processes, address them in the light of the four research questions and discuss possibilities for future activities.The series is intended to allow all participants to develop and expose their current research and practice and we are confident they will spark or intensify further collaborative and interdisciplinary research as a consequence. The series will also stimulate and inform new work and will thus have a cultural impact. The sessions will be documented for a DVD and thus made accessible for future research purposes. A co-edited book will contain transcripts of the interviews and provocations as well as co-authored chapters that will evaluate the implications of the series and disseminate its findings in the widest possible way.

本系列研讨会旨在汇集在当代实验音乐戏剧的特定领域工作的从业者和学者：组合戏剧。这是指戏剧的形式，其中戏剧的表达手段（手势，灯光，声音，动作，文本等）。明确地根据音乐原则（重复，变化，主题，节奏等）组成。本小组将讨论关于组合剧院的四个问题：它的主要特征是什么，它的设计与传统的创作过程有什么不同，它的过程对我们的作者，戏剧，作曲和记谱的概念有什么影响，以及作曲戏剧如何改变我们对音乐和戏剧相互作用的理解。作曲戏剧经常导致表演采用规避的工作过程，传统的合作和分工的等级制度。虽然传统上是由歌词作者和作曲家创作“作品”，然后在指挥和导演的权威领导下，由舞台设计师、服装设计师、灯光设计师和表演者将作品搬上舞台，组合剧场经常采用集体创造力和扁平的等级制度。工作坊系列旨在解决产生这种工作的过程-音乐的一个领域-戏剧表演，迄今为止被研究者广泛忽视。鉴于有关做法的实验性质，正是这一进程及其概念，材料和人员的决定以及新兴的互动，这些互动保持了最终作品的新奇，并使艺术之间的相互作用得以重新发挥，因此，该系列的目的是调查和比较不同的艺术过程和方法来设计组合剧院，并激发对这些过程的性质。该系列还将反映这些过程对具体表演和一般音乐戏剧的相关性。所有的从业者将被要求轮流专注于他们的艺术过程的一个特征方面对组合剧院，然后展示和展示他们的方法互动。因此，将这一交流作为一个系列讲习班进行，使所有参与者都能作为进程而不是完成的文件或报告来体验和观察示范进程。这些实践探索将被音像记录下来。在受邀观众面前对每个从业者进行访谈，将使个别会议嵌入其更广泛的实践中。此外，杰出的从业者和学者将增加理论和艺术的角度与一些“挑衅”，将语境和框架会议进一步。这些挑衅可能涉及音乐戏剧合作实验实践的独特例子，以及方法和分析方面的考虑。这些会议、访谈和挑衅将向公众开放，并将向专家受众做广告，在两次为期三天的会议中的第二次会议上，小组将举行论坛，审议和比较各种办法和进程，根据四个研究问题解决这些问题，并讨论未来活动的可能性。该系列旨在让所有参与者发展和展示他们目前的研究和实践，我们相信他们将引发或加强进一步的合作和跨学科研究的结果。该系列还将刺激和宣传新的工作，从而产生文化影响。这些会议将记录在DVD上，以便将来研究时使用。合编的一本书将载有访谈和挑衅的文字记录以及合编的章节，这些章节将评估该系列的影响，并尽可能广泛地传播其调查结果。