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Capturing the Ephemeral: Transience and Materiality through Drawing

捕捉转瞬即逝的事物：通过绘画来捕捉短暂性和物质性

基本信息

批准号：
AH/H020721/1
负责人：
Sian Bowen
金额：
$ 4.09万
依托单位：
Northumbria University
依托单位国家：
英国
项目类别：
Research Grant
财政年份：
2010
资助国家：
英国
起止时间：
2010 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FH020721%2F1
关键词：
Capturing Ephemeral Transience Materiality through

项目摘要

This practice-based research project will use the Nova Zembla collection of prints at the Rijksmuseum, Amsterdam - extraordinary for having lain frozen in the Arctic for three centuries - as a stimulus for an investigation of the relationship between the materiality of drawing and the ephemerality of museum objects on paper. The research will lead to the production of a suite of drawings that will be shown at the Rijksmuseum together with a selection of the Nova Zembla prints.The prints were carried as merchandise on a 1596 failed Dutch expedition to the Far East via the Northeast Passage. An over-wintering refuge was built on Nova Zembla in which the prints lay in stacks until their discovery: the refuge had filled with ice, transforming the stacks into frozen papier-maché blocks. In 1977 methods were devised to separate the layers and reassemble the thousands of fragments. The physicality of the prints thus underwent metamorphic change: from two-dimensional paper sheets to three-dimensional hardened, blackened blocks and back again to paper.As paradigms of ephemeral objects on paper, the Nova Zembla prints will provide, through the distortion and fragmentation of their imagery, the material transformation of their paper supports and the impact of their conservation, models for innovative ways of making drawings. New approaches to the employment of traditional methods and materials will be devised. For example, the historical practice of watermarks will be dedicated to new ends: imagery will be embedded into paper, revealed when the work is held up to the light, and referencing the images of the prints that were hidden within the frozen blocks. The project will extend the applicant's ongoing interest in devising new ways of creating and exhibiting drawings to interrogate the museological dimensions of the state of flux. It is situated within the resurgent field of contemporary drawing and also connects with current debates on materiality and how the texture of objects can communicate in many ways. The project is further contextualised by drawing research and practice that explores themes of ephemerality through various means. The research will establish a pioneering, distinctive discourse that aims to bridge debates on contemporary drawing, materiality and the museum context. The fact that the Nova Zembla Prints were frozen in the Arctic for three hundred years and were integral to a 16th Century voyage of endurance and discovery, is a fascinating point of entry for audience engagement. A diverse range of potential beneficiaries have been identified as: researchers from the same and other fields; professional and practitioner groups; educational groups and the general public. It is anticipated that a range of social benefits both immediate (eg.resulting from lectures) and long-term (eg.resulting from the exhibition publication), would result from the project. These benefits would be in the form of improvements in cultural and intellectual capital, learning and skills, and quality of life. In order to facilitate evaluation of the research at all stages, critical reflection will be a core element of dissemination. This will take the form of the exhibition and a project publication that will document and contextualise the research, whilst lectures and gallery talks will enable in-depth, direct knowledge transfer, and a web-based portfolio will extend on-going accessibility of the research to a world-wide audience.

这个以实践为基础的研究项目将使用阿姆斯特丹国立博物馆的Nova Zembla版画收藏--这件作品因在北极冰冻了三个世纪而非同寻常--作为调查绘画的物质性和博物馆纸质物品的易逝性之间的关系的刺激。这项研究将产生一套素描，将与精选的Nova Zembla版画一起在国立博物馆展出。这些版画作为商品在1596年荷兰远征远东失败时经由东北航道进行。在Nova Zembla上建造了一个越冬的避难所，那里的指纹堆放在一起，直到他们发现：避难所里装满了冰，把这些堆积如山的纸片变成了冰冻的纸板。1977年，人们设计出了分离这些层并重新组装数千个碎片的方法。因此，版画的物理性质经历了变质的变化：从二维的纸片到三维的硬化、变黑的块，再回到纸张。作为纸上短暂物体的范例，Nova Zembla版画将通过其图像的扭曲和碎片化，提供其纸张支撑物的材料变化及其保护的影响，为创新的绘画方式提供模式。将设计使用传统方法和材料的新方法。例如，水印的历史实践将致力于新的目的：图像将被嵌入到纸中，当作品被举到光线下时显示出来，并引用隐藏在冻结块中的印刷品的图像。该项目将扩大申请者对设计新的创作和展示图纸以询问流动状态的博物馆维度的持续兴趣。它位于当代绘画复兴的领域，也与当前关于物质性和物体纹理如何以多种方式交流的争论有关。通过各种手段探索短暂主题的研究和实践，该项目得到了进一步的背景介绍。这项研究将建立一个开创性的、独特的话语，旨在弥合关于当代绘画、物质性和博物馆背景的争论。Nova Zembla的版画在北极冰冻了三百年，是16世纪耐力和发现之旅不可或缺的一部分，这是观众参与的一个迷人的切入点。已经确定了各种各样的潜在受益者：来自同一领域和其他领域的研究人员；专业团体和从业人员团体；教育团体和普通公众。预计该项目将产生一系列的社会效益，既有短期的(如讲座产生的)，也有长期的(如展览出版的)。这些好处将以文化和智力资本、学习和技能以及生活质量的改善为形式。为了便于在所有阶段对研究进行评价，批判性思考将是传播的一个核心要素。这将采取展览和项目出版物的形式，记录研究并将其与背景联系起来，而讲座和画廊演讲将使深入、直接的知识传播成为可能，基于网络的资料包将向世界各地的受众扩展正在进行的研究的可及性。