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Artists' Moving Image Research Network

艺术家动态影像研究网络

基本信息

批准号：
AH/I00078X/1
负责人：
Catherine Elwes
金额：
$ 4.73万
依托单位：
University of the Arts London
依托单位国家：
英国
项目类别：
Research Grant
财政年份：
2010
资助国家：
英国
起止时间：
2010 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FI00078X%2F1
关键词：
Artists Moving Image Research Network

项目摘要

The moving image medium has become ubiquitous in contemporary art. It is difficult nowadays to find an exhibition or art event that does not, in some way, feature moving images. Although artists have been making films at least since the 1920s, the medium was long considered marginal relative to painting and sculpture. What is new in contemporary art is the predominance of dynamic screen-based media, often eclipsing by scale and degree more traditional forms in the gallery. Recent works, in combination with historical precedents, now constitute such a large body of practice as to deserve extensive study. The Artists' Moving Image Research Network will examine this proliferation of screen art and lay the groundwork for the launch of MIRAJ: Moving Image Research & Art Journal, the world's first peer-reviewed publication on the subject. The network gathers together an international and cross-generational group of leading theorists, artists, curators and archivists to discuss pressing questions that will go forward for elaboration in the pages of MIRAJ, and thus set the terms of debate. Meetings held across two years will be devoted to raising key questions: How can we account for the explosion of screen-based works? How do the contemporary works relate to historical precedents? In what ways do artists' works replicate the ubiquitous spectacle of visual media in the wider culture? What can we learn from productive tensions in cross-disciplinary practices? The turn to the moving image in contemporary art is a global trend and the network will be sensitive to local differences and geographical disjunctures between the metropole and the periphery. Over the years, the moving image has been used by artists for myriad creative projects and the network will consider two currently distinctive applications. Firstly, the adoption of ethnographic and documentary techniques; secondly, the forging of identity though an active engagement with place, ecology and the aesthetic dimensions of landscape. The broad reach of our network themes requires input from practitioners and scholars representing a range of approaches and academic disciplines. By its nature, the study of moving image art straddles two principal disciplines-fine art and the field of film and media studies. The network will engage these two disciplines in the first instance but it will also draw in participants from anthropology and geography in order to illuminate particular trends in recent moving image art. A wide range of cultural practices will be represented in the network by leading academics from across the globe such as Thomas Elsaesser (Amsterdam), Sean Cubitt (Melbourne), Maeve Connolly (Dublin), Catherine Russell (Montreal) and A.L. Rees (London); curators from major galleries such as Stuart Comer (Tate Modern) and Elisabetta Fabrizi (BFI), writers and distributors such as Mike Sperlinger (LUX) and Steven Bode (Film & Video Umbrella) as well as international artists such as Shirin Neshat and Isaac Julien. The network will also include younger researchers from all fields working in the UK and Europe.MIRAJ is the principal means of disseminating the network's research. Our commitment to making research widely available to the public is also reflected in the dedicated interactive network website. Individual members of the network are involved in the journal and other participants will make major contributions over the years. MIRAJ will provide legacy for the research undertaken by the network, to be sustained and developed well into the future.

动态影像媒介在当代艺术中已经无处不在。如今，很难找到一个展览或艺术活动不以某种方式展示动态影像。尽管艺术家至少从20世纪20年代就开始制作电影，但长期以来，电影一直被认为是相对于绘画和雕塑而言的边缘媒介。当代艺术中的新事物是动态屏幕媒体的主导地位，通常在规模和程度上使画廊中更传统的形式黯然失色。最近的著作，结合历史先例，现在构成了这样一个庞大的实践机构，值得广泛研究。艺术家的运动图像研究网络将研究这种屏幕艺术的扩散，并为推出MIRAJ奠定基础：运动图像研究与艺术杂志，这是世界上第一个同行评审的出版物。该网络聚集了一个国际和跨代的领先理论家，艺术家，策展人和档案管理员小组，讨论将在MIRAJ页面中详细阐述的紧迫问题，从而确定辩论的条件。两年的会议将致力于提出关键问题：我们如何解释基于屏幕的作品的爆炸？当代作品如何与历史先例联系起来？艺术家的作品以何种方式复制了更广泛文化中无处不在的视觉媒体奇观？我们可以从跨学科实践中的生产性紧张中学到什么？当代艺术转向动态影像是一种全球趋势，网络将对大都市和周边地区之间的地方差异和地理分离敏感。多年来，运动图像已被艺术家用于无数的创意项目，该网络将考虑两个目前独特的应用。首先，采用民族志和文献技术;其次，通过积极参与地方，生态和景观美学维度来塑造身份。我们的网络主题的广泛影响需要代表一系列方法和学科的从业人员和学者的投入。就其性质而言，运动图像艺术的研究跨越了两个主要学科-美术和电影与媒体研究领域。该网络将首先涉及这两个学科，但它也将吸引人类学和地理学的参与者，以阐明近年来活动图像艺术的特定趋势。来自地球仪的领先学者，如托马斯埃尔塞瑟，将在网络中代表广泛的文化实践（阿姆斯特丹），肖恩·库奇（墨尔本）、梅芙·康诺利（都柏林）、凯瑟琳·拉塞尔（蒙特利尔）和A. L. Rees（伦敦）;斯图尔特·科默等主要画廊的策展人（泰特现代美术馆）和伊丽莎白法布里齐（BFI），作家和发行商，如迈克·斯珀林格（LUX）和史蒂文·博德（Steven Bode）（电影和视频伞）以及国际艺术家，如希林Neshat和艾萨克朱利安。该网络还将包括在英国和欧洲工作的各个领域的年轻研究人员。MIRAJ是传播该网络研究成果的主要手段。我们致力于使研究广泛提供给公众也反映在专门的互动网络网站。该网络的个别成员参与了该期刊的工作，其他参与者将在今后几年中作出重大贡献。MIRAJ将为该网络进行的研究提供遗产，以便在未来得到持续和发展。