The Virgin's House and other Architectural Narratives in Renaissance Marian Painting

文艺复兴时期玛丽亚绘画中的圣母之家和其他建筑叙事

• 批准号: AH/I024070/1
• 负责人: Amanda Lillie
• 金额: $ 7万
• 依托单位: University of York
• 依托单位国家: 英国
• 项目类别: Training Grant
• 财政年份: 2011
• 资助国家: 英国
• 起止时间: 2011 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=AH%2FI024070%2F1
• 关键词: Virgin; House; other; Architectural; Narratives

This project investigates the fictive architecture that surrounds and encases the Virgin Mary in Italian Renaissance paintings. Although such a central feature of European religion as the cult of the Virgin Mary may seem a well trodden field, most art historians have focussed on the figures of the Virgin herself, her son and accompanying saints rather than on other parts of the picture. Even those who have studied pictorial space in this period have tended to concentrate on the impact of mathematical perspective on works of art and the viewer. A new study of the buildings and architectural frameworks created within images entirely changes the way we perceive these paintings. Rather than being something added on or subordinate to the rest of the picture, an architectonic approach often structures the whole image at the planning stage as painters constructed a framework of buildings before placing figures within them. Likewise, it is remarkable the extent to which architecture was crucial in establishing the subject of the image, in telling a visual story, and in creating the aura projected by the cult figure. Although the precise content of the dissertation remains to be discussed with the successful PhD candidate, a possible structure would follow the architectural life of the Virgin from the bedchamber of her birth, to the temple in Jerusalem where she was presented as a girl, to her house in the Annunciation, to the humble stable contrasted with grand ancient ruins at the Nativity.During 2013 The National Gallery will host an exhibition on Architecture in Renaissance Painting, curated by Dr Lillie, who will also supervise the doctoral student at the University of York. This is one of the National Gallery's series of free-entry exhibitions intended to focus on aspects of the Gallery's own collection. The aim of this exhibition, accompanied by a scholarly National Gallery website publication, is to explore this rich, but under-explored topic in Renaissance painting and lead visitors to see the works in a new light. The CDA project will feed directly into the exhibition and its accompanying publications as well as pursuing further research paths appropriate for doctoral work such as: the precise relationship between the Virgin's house in images and the Santa Casa at Loreto; theories of private and domestic space as interpretative tools for these paintings; art beyond the contract or the notion that the non-figure areas of pictures, which were not usually stipulated by patrons, were more fully expressive of the will of the artist.

该项目调查了围绕意大利文艺复兴时期绘画的圣母玛利亚的虚构建筑。尽管欧洲宗教的主要特征是对圣母玛利亚的崇拜似乎是一个很好的领域，但大多数艺术史学家都专注于圣母亲自，她的儿子和陪同的圣徒，而不是图片的其他部分。即使是那些在此期间学习绘画空间的人，也倾向于集中精力于数学观点对艺术品和观众的影响。对图像中创建的建筑物和建筑框架的一项新研究完全改变了我们对这些画作的看法。建筑型方法并没有被添加到图片的其余部分，而是在计划阶段构造整个图像，因为画家在将数字放置在其中之前构建了建筑物的框架。同样，在建立图像的主题，讲述视觉故事以及创建由邪教人物投射的光环时，建筑对建筑的主题至关重要。尽管论文的精确内容仍有待讨论与成功的博士候选人的讨论，但可能的结构将遵循处女的建筑生活，从她的出生的卧室到耶路撒冷的寺庙，在那里她被送给了一个女孩，在他的房子里，在天使上与她的房子呈现，与谦虚的稳定的古老的遗迹相比，在nativeritive上构造了典型的架构，以培训架构，以培训架构，以培训培训，以培训架构，以培训架构，以培训架构，以培训架构，以培训构建，以培训构建，以培训启动，以培训构建，以培训构造，莉莉（Lillie）也将监督约克大学的博士生。这是国家美术馆的一系列自由入学展览之一，旨在专注于画廊自己收藏的各个方面。这次展览的目的以及一个学术国家美术馆网站出版物的伴随，是在文艺复兴时期绘画中探索这个丰富但不足以探索的话题，并首席访客以新的视角观看作品。 CDA项目将直接进入展览及其随附的出版物，并追求适合博士工作的进一步的研究途径，例如：图像中维尔京房屋与洛雷托（Loreto）的圣卡斯萨（Santa Casa）之间的精确关系；私人和家庭空间的理论是这些绘画的解释性工具；超出合同或观念的艺术是，通常不由顾客规定的图片的非观察区域更充分地表达艺术家的意愿。