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New Directions in Music and Sustainability Research

音乐和可持续发展研究的新方向

基本信息

批准号：
AH/N008952/2
负责人：
Matt Brennan
金额：
$ 6.9万
依托单位：
University of Glasgow
依托单位国家：
英国
项目类别：
Fellowship
财政年份：
2018
资助国家：
英国
起止时间：
2018 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FN008952%2F2
关键词：
New Directions Music Sustainability Research

项目摘要

In September 2015, leaders from around the world met in New York to formally agree the UN's Sustainable Development Goals, which are designed to underpin the UN's socio-political agenda for the next fifteen years (until 2030). "Sustainability" is a watchword of the early twenty-first century, with activists, academics, and politicians all struggling to balance the wide-ranging meanings and interpretations of "sustainability" to address the urgent economic, environmental, and humanitarian challenges facing the planet. The arts and humanities have an important role to play in such debates, and the aim of this Leadership Fellow project is to imagine new ways of addressing current environmental challenges through the arts with a focus on the theme of music and sustainability. My first task is to compare and critique how, why, and to what effect such concepts as "sustainability," "ecology" and other environmental studies terminology are now being deployed across various sub-disciplines within music scholarship, with a view to encouraging interdisciplinary dialogue in this area. I will also examine how music professionals outside the academy navigate the challenge of environmental sustainability against challenges of the sustaining their livelihoods in the digital economy.The project draws on a sociological model of sustainable behaviour change to explore three case study areas. First, it investigates music-making and music-listening technologies. I will use the history of drum kit as a lens to explore the growth of the musical instrument manufacturing industry, and develop the argument for an ecological turn in both musical instrument and music consumption research. Through participant-observation and interviews, I will then explore how members of the global DIY music "maker" movement addresses sustainable consumption of music technologies through building their own instruments and other music technologies. Both of these studies will shed light on the hidden costs of music - be they economic, social, labour, or environmental - and how they change.Second, the project builds on previous collaborative AHRC research to develop an ecological approach to understanding live music, focusing on how organizers, artists, and audiences currently balance issues of economic and environmental sustainability across the British live music sector. I will work with stakeholders from relevant organizations in the live music sector to (a) assess the infrastructure and environmental consequences of live music in the UK and (b) foster an emerging community of practice across live music organizations that seeks to adopt environmentally sustainable production practices and encourage sustainable audience behaviours.Third, the project will draw from new research into music and arts sustainability research to envision what a "green cultural policy" might look like. I will analyze approaches from existing cultural policies across the Global Greens (a network linking Green political parties from around the world) in relation to the cultural policies of other political parties within the UK, and create an account of the current state of green cultural policy - as well as recommendations for how it could fruitfully develop in future.Finally, in addition to exploring new directions in music and sustainability research through the case studies above, I aim to build new links between music scholars and relevant wider networks across the arts and humanities (e.g. environment humanities, energy humanities, and petrocultural studies) with a view to enhancing the impact of arts and humanities research in sustainability development studies as a whole.

2015 年 9 月，来自世界各地的领导人齐聚纽约，正式商定联合国可持续发展目标，该目标旨在支撑联合国未来 15 年（直至 2030 年）的社会政治议程。 “可持续性”是二十世纪初的口号，活动家、学者和政治家都在努力平衡“可持续性”的广泛含义和解释，以应对地球面临的紧迫的经济、环境和人道主义挑战。艺术和人文学科在此类辩论中可以发挥重要作用，该领导力研究员项目的目的是想象通过艺术解决当前环境挑战的新方法，重点关注音乐和可持续发展的主题。我的首要任务是比较和批评“可持续性”、“生态学”和其他环境研究术语等概念现在如何、为何以及效果如何在音乐学术的各个子学科中得到应用，以鼓励该领域的跨学科对话。我还将研究学院之外的音乐专业人士如何应对环境可持续性的挑战，以及在数字经济中维持生计的挑战。该项目利用可持续行为改变的社会学模型来探索三个案例研究领域。首先，它研究音乐制作和音乐聆听技术。我将以架子鼓的历史为视角，探索乐器制造业的发展，并为乐器和音乐消费研究的生态转向提出论据。通过参与者观察和采访，我将探讨全球 DIY 音乐“制造者”运动的成员如何通过构建自己的乐器和其他音乐技术来解决音乐技术的可持续消费问题。这两项研究都将揭示音乐的隐性成本——无论是经济、社会、劳动力还是环境——以及它们如何变化。其次，该项目以 AHRC 之前的合作研究为基础，开发一种理解现场音乐的生态方法，重点关注组织者、艺术家和观众目前如何平衡整个英国现场音乐领域的经济和环境可持续性问题。我将与现场音乐领域相关组织的利益相关者合作，（a）评估英国现场音乐的基础设施和环境后果，（b）在现场音乐组织中培育一个新兴的实践社区，寻求采用环境可持续的生产实践并鼓励可持续的观众行为。第三，该项目将从音乐和艺术可持续性研究的新研究中汲取灵感，以设想“绿色文化政策”可能是什么样子。我将分析全球绿党（连接世界各地绿色政党的网络）现有文化政策的方法与英国其他政党的文化政策的关系，并对绿色文化政策的现状进行描述，并就其未来如何卓有成效地发展提出建议。最后，除了通过上述案例研究探索音乐和可持续发展研究的新方向外，我的目标是在音乐学者和音乐学者之间建立新的联系。跨艺术和人文学科（例如环境人文学科、能源人文学科和石油文化研究）的相关更广泛网络，以增强艺术和人文学科研究在整个可持续发展研究中的影响力。