The Edinburgh Works of Allan Ramsay

艾伦拉姆齐的爱丁堡作品

基本信息

  • 批准号:
    AH/P015093/1
  • 负责人:
  • 金额:
    $ 103.56万
  • 依托单位:
  • 依托单位国家:
    英国
  • 项目类别:
    Research Grant
  • 财政年份:
    2018
  • 资助国家:
    英国
  • 起止时间:
    2018 至 无数据
  • 项目状态:
    已结题

项目摘要

RQ: How will the first full textual edition of the works of Allan Ramsay enable us to define the development of Romanticism, Enlightenment, ballad opera and literary Scots in the eighteenth century?R Context: The Works of Allan Ramsay is the first full and consistent scholarly edition of the works of Allan Ramsay (1684-1758), the poet, early Romantic song-collector and cultural entrepreneur, creator of the first established theatre in modern Scotland and probably the first subscription library in the UK. There is one existing textual edition, which is the Martin, Oliver, Kinghorn and Law edition (1945-74). This was assembled by a diverse group of editors without a single unifying textual policy over time. Not only does it not always have a consistent approach to textual editing: it also often does not utilize extant MS readings, and further MS readings (and 130 MSS) have of course come to light since its publication. More can be expected to be identified once an edition is under way: the Burns edition has now identified 160 new MSS not known at the time of the publication of the relevant volume of The Index for English Literary Manuscripts. The Index entry on Ramsay notes the current edition's serious limitations and inadequacy as a scholarly text in uncompromising terms:...deeply flawed as a scholarly edition. It is badly organised;its transcription of MSS...is unacceptably inaccurate; its contentspages, titling, indexes and apparatus are variously inadequate,inconsistent and error-ridden. (IELM II:3, 172)R methods: There is in no sense, then, a satisfactory textual edition of Ramsay extant. The 'Edinburgh Ramsay' (under contract with Edinburgh University Press, together with supporting monograph) is based on new archival research and is a comprehensive scholarly annotated edition based on contemporary textual editing methods (the PI's work in this area has been described as setting 'new standards for primary research in eighteenth-century song-texts'), with the addition of primary research supportive of both scholarly and KE/Impact outcomes under the University of Glasgow strategy (http://www.gla.ac.uk/services/rsio/knowledgeexchange/). The 'Works' will deal fully for the first time with Ramsay's use of music and the issues raised for the development of Scottish song and its historic performance more generally. The 'Works' will make Ramsay's texts readily available for the first time in many years. Associated web learning resources (including Scottish Qualification Authority relevant resources for schools thanks to the link between Education Scotland's Curriculum for Excellence resources and the University of Glasgow) will support the development of a separate paperback edition of the Poems. The 'Works' will be accompanied by a volume devoted to the contexts and themes of Ramsay's Edinburgh: art, music, politics, urban environment and many others. This will be supported by a web resource on Ramsay's Edinburgh, which will include an online bibliography, song performances (including historically informed ones) , a section on people and clubs of Ramsay's Edinburgh, a prosopographical study of the subscription list for Poems (1721) and a resource on Ramsay's reception. A concert will be arranged to complement the online song recordings. Reflective scholarly material will accompany recordings.We will also work with external partners, including an exhibition with the National Library with an accompanying symposium highlighting their Ramsay treasures. We will work with the National Galleries of Scotland on their collections policy in the new £17M Celebrating Scotland's Art project CAPEX based on our research findings on the art trade in Edinburgh, and with the University of South Carolina on collections development. We will also lead the continuing development of the Allan Ramsay Literary Festival at the Allan Ramsay Hotel, Carlops (http://www.allanramsayhotel).
请求:第一个完整的文本版的作品艾伦拉姆齐将如何使我们能够定义的发展浪漫主义,启蒙运动,民谣歌剧和文学苏格兰在十八世纪?R上下文:《艾伦·拉姆齐作品集》是艾伦·拉姆齐(1684-1758)作品的第一个完整和一致的学术版本,艾伦·拉姆齐是诗人,早期浪漫主义歌曲收藏家和文化企业家,现代苏格兰第一家剧院的创建者,可能是英国第一家订阅图书馆。有一个现有的文本版本,这是马丁,奥利弗,金霍恩和法律版(1945年至1974年)。这是由一群不同的编辑组合而成的,随着时间的推移,没有一个统一的文本政策。它不仅不总是有一个一致的方法来文本编辑:它也往往不利用现存的MS读数,和进一步的MS读数(和130 MSS)当然已经曝光,因为它的出版。可以预期,一旦一个版本正在进行中,更多的可以被确定:伯恩斯版现在已经确定了160个新的MSS,这些MSS在《英语文学手稿索引》的相关卷出版时是未知的。该指数进入拉姆齐注意到当前版本的严重局限性和不足,作为一个学术文本在不妥协的条款:.作为一个学术版本有很大的缺陷它的组织很糟糕;它的MSS转录...是不可接受的不准确;其contentspages,标题,索引和仪器是各种不足,不一致和错误缠身。(IELM II:3,172)R方法:没有任何意义,然后,一个令人满意的文本版本拉姆齐现存。“爱丁堡拉姆齐”(根据合同与爱丁堡大学出版社,连同支持专著)是基于新的档案研究,是一个全面的学术注释版的基础上当代文本编辑方法(PI在这一领域的工作被描述为“为十八世纪歌曲文本的初步研究制定新标准”),在格拉斯哥大学战略下,增加了支持学术和KE/影响成果的主要研究(http://www.gla.ac.uk/services/rsio/knowledgeexchange/)。“作品”将首次全面处理拉姆齐对音乐的使用,以及苏格兰歌曲发展及其历史表现所提出的问题。“作品”将使拉姆齐的文本在许多年来第一次随时可用。相关的网络学习资源(包括苏格兰资格管理局为学校提供的相关资源,这要归功于苏格兰教育卓越课程资源与格拉斯哥大学之间的联系)将支持《诗歌》单独平装版的开发。“作品”将伴随着一卷致力于拉姆齐的爱丁堡的背景和主题:艺术,音乐,政治,城市环境和许多其他。这将由拉姆齐的爱丁堡,其中将包括一个在线书目,歌曲表演(包括历史上知情的),对拉姆齐的爱丁堡,诗歌(1721年)的订阅列表的一个prosopographical研究的人和俱乐部的一节网络资源的支持。将安排一场音乐会来补充在线歌曲录制。我们还将与外部合作伙伴合作,包括与国家图书馆合作举办展览,并举办专题讨论会,突出他们的拉姆齐宝藏。我们将与苏格兰国家美术馆合作,根据我们对爱丁堡艺术贸易的研究结果,在新的1700万英镑庆祝苏格兰艺术项目CAPEX中制定其收藏政策,并与南卡罗来纳州大学合作开发收藏品。我们还将领导在Carlops的Allan Ramsay酒店(http://www.allanramsayhotel)举办的Allan Ramsay文学节的持续发展。

项目成果

期刊论文数量(10)
专著数量(0)
科研奖励数量(0)
会议论文数量(0)
专利数量(0)
'Allan Ramsay in Edinburgh: Commemoration in the City of Forgetting'
《艾伦·拉姆齐在爱丁堡:遗忘之城的纪念》
  • DOI:
  • 发表时间:
    2018
  • 期刊:
  • 影响因子:
    0.2
  • 作者:
    Lamont, C.
  • 通讯作者:
    Lamont, C.
The Poetry and Drama of Allan Ramsay: (Scotnotes Study Guides)
艾伦·拉姆齐的诗歌和戏剧:(Scotnotes 学习指南)
  • DOI:
  • 发表时间:
    2023
  • 期刊:
  • 影响因子:
    0
  • 作者:
    Lamont Craig
  • 通讯作者:
    Lamont Craig
Networks of Sociability in Allan Ramsay's The Fair Assembly
艾伦·拉姆齐的《公平大会》中的社交网络
'Some Pastoral Improvement' in The Gentle Shepherd: Mediation, Remediation, and Minority
《温柔的牧人》中的“一些田园改进”:调解、补救和少数派
Self-Curation, Self-Editing and Audience Construction by Eighteenth-Century Scots Vernacular Poets
十八世纪苏格兰白话诗人的自我策展、自我编辑和受众建构
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Murray Pittock其他文献

The Oxford Edition of the Works of Robert Burns Volume II, The Scots Musical Museum Part One
罗伯特伯恩斯作品牛津版第二卷,苏格兰音乐博物馆第一部分
  • DOI:
  • 发表时间:
    2018
  • 期刊:
  • 影响因子:
    0
  • 作者:
    Murray Pittock
  • 通讯作者:
    Murray Pittock

Murray Pittock的其他文献

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{{ truncateString('Murray Pittock', 18)}}的其他基金

ERSKINE : Mapping the Scottish Gaelic Revival at the Fin de Siècle: Ruaraidh Erskine of Mar and His Networks
厄斯金:描绘世纪末的苏格兰盖尔语复兴:Mar 的 Ruaraidh Erskine 及其网络
  • 批准号:
    EP/Y030281/1
  • 财政年份:
    2023
  • 资助金额:
    $ 103.56万
  • 项目类别:
    Fellowship
Scottish Heritage Partnership: Immersive Experiences
苏格兰遗产合作伙伴关系:沉浸式体验
  • 批准号:
    AH/R009104/1
  • 财政年份:
    2018
  • 资助金额:
    $ 103.56万
  • 项目类别:
    Research Grant
Robert Burns: Inventing Tradition and Securing Memory, 1796-1909
罗伯特·伯恩斯:发明传统和保护记忆,1796-1909
  • 批准号:
    AH/H008586/1
  • 财政年份:
    2010
  • 资助金额:
    $ 103.56万
  • 项目类别:
    Research Grant
Robert Burns and Global Culture
罗伯特·伯恩斯与全球文化
  • 批准号:
    AH/E009999/1
  • 财政年份:
    2007
  • 资助金额:
    $ 103.56万
  • 项目类别:
    Research Grant
Scottish and Irish Romanticism
苏格兰和爱尔兰浪漫主义
  • 批准号:
    AH/D500656/1
  • 财政年份:
    2007
  • 资助金额:
    $ 103.56万
  • 项目类别:
    Research Grant

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