Immersive Pipeline: Production pipelines and translators for the authoring, sharing, and touring of immersive media performance works

沉浸式管道：用于创作、共享和巡演沉浸式媒体表演作品的制作管道和翻译器

基本信息

批准号：
AH/R010145/1
负责人：
Atau Tanaka
金额：
$ 7.7万
依托单位：
Goldsmiths University of London
依托单位国家：
英国
项目类别：
Research Grant
财政年份：
2018
资助国家：
英国
起止时间：
2018 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FR010145%2F1
关键词：
Immersive Pipeline Production pipelines translators

项目摘要

Immersive media and virtual reality are not the same thing. While VR brings with it the image of experiencing virtual worlds through 3D headset displays, the actual use of such displays can be physically disorienting and socially isolating. Immersive audiovisual experiences can be created in public space and in performance by the seamless projection of data, graphics, and video on all surfaces of a performance space, and by the use of multichannel surround sound. Immersion can take place in real space and be shared with others as an embodied collective experience. Goldsmiths' Sonics Immersive Media Labs (SIML) is part of an international network of immersive projection venues including rectangular surround video facilities like the RML CineChamber (San Francisco), domes such as the SATosphere (Montreal), or new formats such as the ISM Hexadome (Berlin). Whilst these facilities exist around the world, there has yet to be established a standard working method for the creation of new cultural works for them. Artists find themselves dedicating an inordinate proportion of their creative time understanding how to configure their work to fit an immersive space, often reinventing the wheel. Once a work has premiered, they find it difficult to tour it out of lack of compatibility across these venues, resulting in inadvertently site-specific work. We are experiencing a teething period in immersive media not dissimilar to the early days of cinema, before a lingua franca of authoring method and technical process was established. The Immersive Pipeline project will partner with these leading cultural sector institutions above, as well as with immersive technology companies Derivative and NSC Creative, to form a partnership to design and develop an artist-facing immersive media production workflow. The project will engage with artists, scientists, presentation venues, and technology companies in participatory design sessions to define best practice for creative immersive media production. We will produce an immersive content authoring pipeline and make it available to artists as a method and process with which to create new works for multiscreen spaces. By partnering with the Elizabeth Garrett Anderson Institute for Women's Health, the project will demonstrate the pertinence of artistic immersive visualization and sonification in the health and medical sector. Finally, we will work with our partner venues to define the specification for, and prototype, a translation and format conversion technology allowing work created for one venue (for example a dome) to be automatically translated for projection in another (a rectangular venue). The results of the project will: 1.) Empower artists to produce works for a range of immersive venues, 2.) Advance the state of the art of projection mapping technology, 3.) Bring together a diverse group of cultural institutions through shared vision and technical interoperability, and 4.) Bootstrap an international consortium for future large research projects. The results of the Immersive Pipeline project will be showcased in a public performance/screening event.

沉浸式媒体和虚拟现实不是同一回事。尽管VR带来了通过3D耳机显示体验虚拟世界的形象，但实际使用此类显示可能会在物理上令人迷惑和社会隔离。可以通过在性能空间的所有表面上的数据，图形和视频的无缝投影，以及使用多渠道环绕声来创建沉浸式视听体验。沉浸式可以在真实空间中进行，并与他人共享，作为一种体现的集体体验。 Goldsmiths的Sonics Immersive Media Labs（SIML）是国际沉浸式投影场所网络的一部分，包括RML CineChamber（Sanfrancisco），例如Satosphere（Montreal）或新形式，例如ISM Hexadome（Berlin）。尽管这些设施存在于世界各地，但尚未建立一种标准的工作方法，可以为它们创建新的文化作品。艺术家发现自己专注于他们创造性的时间的超级比例，理解如何配置自己的作品以适合沉浸式空间，通常会重塑轮子。一旦首映工作，他们就会发现由于这些场所缺乏兼容性，很难参观它，从而无意间进行了特定地点的工作。在建立了创作方法和技术过程之前，我们在沉浸式媒体上经历了一个与电影初期不同的时期。沉浸式管道项目将与上述这些领先的文化部门机构以及身临其境的技术公司衍生产品和NSC Creative合作，以建立合作伙伴关系，以设计和开发面向艺术家的沉浸式媒体生产工作流程。该项目将与参与式设计会议中的艺术家，科学家，演示场所和技术公司互动，以定义创造性沉浸式媒体生产的最佳实践。我们将生产一个沉浸式的内容创作管道，并使艺术家作为一种为多屏空间创建新作品的方法和过程。通过与伊丽莎白·加勒特·安德森（Elizabeth Garrett Anderson）妇女健康研究所合作，该项目将证明健康和医疗部门的艺术沉浸式可视化和索赔。最后，我们将与我们的合作伙伴场所合作，定义针对的规范和原型，一种翻译和格式转换技术，允许为一个场所创建的工作（例如，圆顶）自动翻译以在另一个场所（矩形场地）进行投影。该项目的结果将：1。）授权艺术家为一系列身临其境的场所制作作品，2。）提高投影映射技术的现状，3。）将各种各样的文化机构组合在一起，通过共同的愿景和技术互操作性，以及4.）Bootstrap Bootstrap一个国际联盟，以实现未来的大型研究项目。沉浸式管道项目的结果将在公共表演/筛查活动中展示。