Art, Artifice & Intelligence: A UK-Japan partnership exploring art and AI

艺术、技巧

基本信息

  • 批准号:
    ES/S014128/1
  • 负责人:
  • 金额:
    $ 6.36万
  • 依托单位:
  • 依托单位国家:
    英国
  • 项目类别:
    Research Grant
  • 财政年份:
    2019
  • 资助国家:
    英国
  • 起止时间:
    2019 至 无数据
  • 项目状态:
    已结题

项目摘要

Technologies of artificial intelligence are an increasing part of our everyday lives. Neural networks and deep learning find application in vast areas such as the financial markets and weather prediction. We are told that many traditional kinds of jobs may be in danger of being replaced by automation. Artificial intelligence can emulate human decision making, and software programmes can now beat chess masters. AI research in the UK and Japan are at the forefront of international advancement in the field. Programmes by London companies like DeepMind take the chess example to the next level of complexity by playing the ancient Japanese game of Go. In Japan, advanced robots that take on humanoid form have been deployed in healthcare settings such as minding older people.While AI and automation might better human chess players or risk to replace jobs, they can be seen as a partner in dialogue with human activity. This is seen in a compelling way in the world of art. While computer programmes have been created to generate visual images and algorithmically compose music, it is in partnership with a human artist that new forms of art can emerge. If an AI algorithm becomes part of the creative palette of an artist, what kinds of new work emerge? For an artist to be able to harness these advanced technologies, how do they need to be configured? Is the human artist a partner, master, or mere operator? How do these new techniques change our aesthetic sense and challenge what might constitute a work of art or piece of music? The Art, Artifice & Intelligence project brings together leading research labs from the UK and Japan to foster new partnerships to explore the creative potential of artificial intelligence in art and music. The Embodied Audiovisual Interaction (EAVI) unit from Goldsmiths, University of London, will lead the project in partnership with the SACRAL artificial life laboratory of the University of Tokyo and the Faculty of Design at Kyushu University. The project will facilitate exchange of academics, young researchers, and students between the UK and Japan to share knowledge and best practices in harnessing AI technologies in creative settings. The project activities will take place in a series of workshops - two in Japan and one in London - and in a 3-month residency for a young UK researcher to develop a new project in Japan. The results of the project will be presented to general audiences in public exhibition/performance events in London, and in Japan. We will work with cultural institutions such as the Barbican in London and the Yamaguchi Center for Art & Media (YCAM). The project will be a trigger for future large scale collaborations in art and AI between the UK and Japan, and bring to the public eye the rich histories, technologies, and critical perspectives that underpin our present-day fascination with artificial intelligence.
人工智能技术越来越多地进入我们的日常生活。神经网络和深度学习在金融市场和天气预测等广泛领域得到应用。我们被告知,许多传统类型的工作可能有被自动化取代的危险。人工智能可以模仿人类的决策,软件程序现在可以击败国际象棋大师。英国和日本的人工智能研究处于该领域国际进步的前沿。像DeepMind这样的伦敦公司的程序通过玩古老的日本围棋游戏将国际象棋的复杂性提升到了一个新的水平。在日本,具有人形形态的先进机器人已被部署在医疗保健环境中,例如照顾老年人。虽然人工智能和自动化可能会使人类棋手更好,或者有可能取代工作,但它们可以被视为与人类活动对话的伙伴。这在艺术界是一种引人注目的方式。虽然计算机程序已经被创建来生成视觉图像和算法作曲,但只有与人类艺术家合作,新的艺术形式才能出现。如果人工智能算法成为艺术家创作调色板的一部分,会出现什么样的新作品?对于一个艺术家能够利用这些先进的技术,他们需要如何配置?人类艺术家是合作伙伴、大师还是仅仅是操作者?这些新技术如何改变我们的审美观念,并挑战可能构成艺术作品或音乐作品的东西?“艺术、艺术与智能”项目汇集了来自英国和日本的领先研究实验室,以促进新的合作伙伴关系,探索人工智能在艺术和音乐领域的创造潜力。来自伦敦大学金史密斯学院(Goldsmiths)的嵌入式视听交互(EAVI)单元将与东京大学的Sacral人工生命实验室和九州大学设计学院合作领导该项目。该项目将促进英国和日本之间的学者,年轻研究人员和学生的交流,分享在创造性环境中利用人工智能技术的知识和最佳实践。该项目活动将通过一系列讲习班进行-两个在日本,一个在伦敦-以及一名年轻的英国研究人员在日本进行为期3个月的驻留,以开发一个新项目。该项目的成果将在伦敦和日本的公开展览/表演活动中向广大观众介绍。我们将与伦敦的巴比肯和山口艺术与媒体中心(YCAM)等文化机构合作。该项目将成为英国和日本未来在艺术和人工智能领域大规模合作的触发器,并将丰富的历史,技术和批判性观点带到公众面前,这些都是我们当今对人工智能的迷恋的基础。

项目成果

期刊论文数量(0)
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Atau Tanaka其他文献

An Interactive Modular System for Electrophysiological DMIs
用于电生理学 DMI 的交互式模块化系统
  • DOI:
  • 发表时间:
    2023
  • 期刊:
  • 影响因子:
    0
  • 作者:
    Francesco Di Maggio;Atau Tanaka;David Fierro;S. Whitmarsh
  • 通讯作者:
    S. Whitmarsh
Datasets for the Analysis of Expressive Musical Gestures
用于分析富有表现力的音乐手势的数据集
  • DOI:
  • 发表时间:
    2017
  • 期刊:
  • 影响因子:
    0
  • 作者:
    Álvaro Sarasúa;Baptiste Caramiaux;Atau Tanaka;Miguel Ortiz
  • 通讯作者:
    Miguel Ortiz
Creative Applications of Interactive Mobile Music
互动移动音乐创意应用
  • DOI:
    10.1093/oxfordhb/9780199913657.013.019
  • 发表时间:
    2014
  • 期刊:
  • 影响因子:
    0
  • 作者:
    Atau Tanaka
  • 通讯作者:
    Atau Tanaka
Making Data Sing: Embodied Approaches to Sonification
让数据歌唱:可听化的具体方法
Multimodal Interaction in Music Using the Electromyogram and Relative Position Sensing
使用肌电图和相对位置感测的音乐多模态交互

Atau Tanaka的其他文献

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{{ truncateString('Atau Tanaka', 18)}}的其他基金

Hybrid Venue: From Network Audio to Future Gigs
混合场地:从网络音频到未来演出
  • 批准号:
    AH/Y006054/1
  • 财政年份:
    2023
  • 资助金额:
    $ 6.36万
  • 项目类别:
    Research Grant
Hybrid Live: Preserving musical traditions and creating new practices performing over networks
混合现场:保留音乐传统并创造通过网络表演的新实践
  • 批准号:
    AH/V009567/1
  • 财政年份:
    2021
  • 资助金额:
    $ 6.36万
  • 项目类别:
    Research Grant
Immersive Pipeline 2: Out of the lab and into the wild
沉浸式管道 2:走出实验室,走向野外
  • 批准号:
    AH/S010637/1
  • 财政年份:
    2019
  • 资助金额:
    $ 6.36万
  • 项目类别:
    Research Grant
Immersive Pipeline: Production pipelines and translators for the authoring, sharing, and touring of immersive media performance works
沉浸式管道:用于创作、共享和巡演沉浸式媒体表演作品的制作管道和翻译器
  • 批准号:
    AH/R010145/1
  • 财政年份:
    2018
  • 资助金额:
    $ 6.36万
  • 项目类别:
    Research Grant
Design Patterns for Inclusive Collaboration (DePIC)
包容性协作设计模式 (DePIC)
  • 批准号:
    EP/J018120/1
  • 财政年份:
    2012
  • 资助金额:
    $ 6.36万
  • 项目类别:
    Research Grant
Situating Community through Creative Technologies and Practice
通过创意技术和实践定位社区
  • 批准号:
    AH/J500905/1
  • 财政年份:
    2011
  • 资助金额:
    $ 6.36万
  • 项目类别:
    Research Grant

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You have beguiled me with a counterfeit': The Hallmark of Truth and the Exposure of Artifice in Shakespeare's Work
你用赝品欺骗了我”:莎士比亚作品中真理的标志和技巧的暴露
  • 批准号:
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    2007
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