Digital Platforms for Craft in the UK and China

英国和中国的手工艺数字平台

• 批准号: AH/S003401/1
• 负责人: Nick Bryan-Kinns
• 金额: $ 24.6万
• 依托单位: Queen Mary University of London
• 依托单位国家: 英国
• 项目类别: Research Grant
• 财政年份: 2019
• 资助国家: 英国
• 起止时间: 2019 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=AH%2FS003401%2F1
• 关键词: Digital; Platforms; Craft; UK; China

The Creative Economies are key growth drivers and economic sectors for both the UK and China. Digital platforms such as social networks, search engines, online marketplaces, and content distribution help to generate new products and services both online and offline. For those concerned with physical objects especially in the craft and visual arts sectors, digital platforms provide opportunities through the 4th industrial revolution where there is a blurring between physical and digital production. For example, digital platforms provide opportunities for innovation through using new materials and production techniques, they facilitate greater and closer access to markets and customers, and provide opportunities to include customers more in the design process. Digital platforms are therefore key to enabling growth in the Creative Economies in the UK and China. This is despite the fact that the UK and China have unique cultural heritages and traditions, different economic, social, and political profiles, and divergent digital infrastructure and regulations.Digital platforms are inevitably implemented, used, and leveraged differently the UK and China. Firstly, there are deep rooted differences in culture and heritage between the UK and China which would affect conventions and methods of production and consumption in Creative Economies which would make different use of digital platforms to support them. Secondly, there are significant differences between countries' internet infrastructure and policies of use. For example, social media such as Twitter and Facebook are ubiquitous in the UK in contrast to Chinese social media platforms such as QQ and WeChat. Similarly, popular craft marketplaces such as those on taobao in China contrast with craft marketplaces such as NotOnTheHighStreet and etsy.com which are prevalent the UK. Thirdly, there are differences in different cultures' use of digital platforms such as social media which may be reflected in the use of digital platforms in the Creative Economy. Finally, there are differences in digital inclusion between urban and rural areas which are different in the UK and China and which would have an impact of the possible uses and uptake of digital platforms.Whilst digital platforms are used across Creative Economy sectors there has to date been a concentration of research interest in those sectors which produce or consume digital content. For example, games, music, and media production sectors, which have included comparisons between the UK and Chinese sectors. However, the use of digital platforms in cultural domains which involve physical object production, consumption, and archival are not well researched despite the importance of craft as a driver of innovation in the Creative Economy and wider industries. The project will directly address this lack of research in the use and potential of digital platforms for craft sectors in the UK and China.

创意经济是英国和中国的主要增长动力和经济部门。社交网络、搜索引擎、在线市场和内容分发等数字平台有助于在线和离线产生新产品和服务。对于那些关注实物的人来说，特别是在工艺和视觉艺术领域，数字平台通过第四次工业革命提供了机会，在第四次工业革命中，实物和数字生产之间的界限变得模糊。例如，数字平台通过使用新材料和生产技术为创新提供了机会，它们促进了更大和更紧密地接触市场和客户，并提供了将客户更多地纳入设计过程的机会。因此，数字平台是促进英国和中国创意经济增长的关键。尽管英国和中国有着独特的文化遗产和传统，不同的经济、社会和政治背景，以及不同的数字基础设施和法规，但英国和中国在数字平台的实施、使用和利用方面不可避免地存在差异。首先，英国和中国之间在文化和遗产方面存在根深蒂固的差异，这将影响创意经济的生产和消费惯例以及方式，这些经济将利用不同的数字平台来支持它们。第二，各国的互联网基础设施和使用政策之间存在重大差异。例如，Twitter和Facebook等社交媒体在英国无处不在，而QQ和微信等中国社交媒体平台。同样，中国淘宝等流行的工艺品市场与英国流行的NotOnTheHighStreet和etsy.com等工艺品市场形成鲜明对比。第三，不同文化对社交媒体等数码平台的使用有差异，这可从创意经济对数码平台的使用中反映出来。最后，城市和农村地区在数字包容性方面存在差异，这在英国和中国是不同的，这将对数字平台的可能使用和吸收产生影响。虽然数字平台在创意经济部门中使用，但迄今为止，研究兴趣集中在生产或消费数字内容的部门。例如，游戏、音乐和媒体制作部门，其中包括英国和中国部门之间的比较。然而，在涉及实物生产，消费和档案的文化领域中使用数字平台并没有得到很好的研究，尽管工艺作为创意经济和更广泛行业创新的驱动力非常重要。该项目将直接解决英国和中国在手工艺行业数字平台的使用和潜力方面缺乏研究的问题。

项目成果

HCI International 2020 - Late Breaking Papers: Virtual and Augmented Reality - 22nd HCI International Conference, HCII 2020, Copenhagen, Denmark, July 19-24, 2020, Proceedings

HCI International 2020 - 最新论文：虚拟和增强现实 - 第 22 届 HCI 国际会议，HCII 2020，丹麦哥本哈根，2020 年 7 月 19-24 日，会议记录

• DOI: 10.1007/978-3-030-59990-4_5
• 发表时间: 2020
• 作者: Edlin L

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• 期刊: ????????? (China Intangible Cultural Heritage)
• 作者: ??? (D. Zhang)

Digital Platforms for Craft in the UK and China Final Project Report

英国和中国的工艺数字平台最终项目报告

• 发表时间: 2020
• 作者: Bryan-Kinns N