Voices in the Gallery: Reading Unseen Texts

画廊中的声音：阅读看不见的文本

• 批准号: AH/S004262/1
• 负责人: Sarah Hayden
• 金额: $ 23.54万
• 依托单位: University of Southampton
• 依托单位国家: 英国
• 项目类别: Fellowship
• 财政年份: 2019
• 资助国家: 英国
• 起止时间: 2019 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=AH%2FS004262%2F1
• 关键词: Voices; Gallery; Reading; Unseen; Texts

Writing has been essential in driving contemporary art forward since the middle of the 20th century. However, where oncewe entered galleries to find words displayed on walls or in vitrines, now we are encountering language in the artworld in aqualitatively different way. Art's literary content is entering the gallery as sound, through the medium of the recorded voice, as artists are drawn increasingly to present texts in the form of voiceover.The concept of voiceover is familiar to us from documentary film, but video, installation and new media artists are pushing the format in new and unexpected directions. Voices in the Gallery aims to carry out the first investigation of the voiceover as a phenomenon that exists simultaneously as art-form, literary genre and sonic intervention. By bringing together ideas and perspectives from art, literature and sound studies, it will deliver an original, interdisciplinary theory of voiceover. This project will use the voiceover as a medium by which to explore how writing operates in art practices today:Why is the human voice so pervasive in contemporary art? How do audiences engage with voiced writing? How does vocalization affect our experience of language-driven artworks in the gallery? How can we critically assess the literary and aesthetic features of a voiceover track? How can galleries equip listeners to 'read aurally': to interpret vocalized text that remains unseen?In answering these questions, this project will produce a range of academic and non-academic outputs and activities. My research presentations and article will establish a new field of crossdisciplinary inquiry. My agenda-setting monograph will shape how artists, institutions and critics make, curate and analyze voiceover in future.Partnership with creative industries is integral to this project. The research will be carried out in collaboration with engagement, exhibitions and public programming professionals at Nottingham Contemporary and John Hansard Gallery. These organizations combine international reputations for curating the most innovative contemporary art with a profound commitment to engaging diverse local audiences. By embedding ongoing research in the galleries, and engendering dialogue and exchange between arts professionals and HE, the project will mobilize insights from the research to open entry points into language-driven arts practices. Close listening workshops and study sessions will invite participants to explore new ways of experiencing and interpreting voiced writing in art. Broadside leaflets freely distributed in galleries, will guide and enrich audiences' experiences of voiceover. An off-site exhibition in Southampton city centre will invite new publics to experience a specially curated voiceover installation in their civic space. Crossing between disciplines, working with cultural institutions and their communities, this innovative leadership project will transform how we encounter, mediate and explicate an important, emergent mode of contemporary art-making.

自世纪中期以来，写作一直是推动当代艺术向前发展的重要因素。然而，当我们走进画廊，发现墙上或玻璃橱窗里展示的文字时，现在我们正在以不同的方式在艺术世界中遇到语言。随着艺术家越来越多地以画外音的形式呈现文本，艺术的文学内容正以声音的形式通过录音的媒介进入画廊。画外音的概念我们从纪录片中就很熟悉，但视频、装置和新媒体艺术家正在将这种形式推向新的、意想不到的方向。《画廊中的声音》旨在对画外音作为一种同时作为艺术形式、文学体裁和声音干预存在的现象进行首次调查。通过汇集来自艺术，文学和声音研究的想法和观点，它将提供一个原创的跨学科画外音理论。这个项目将使用画外音作为一种媒介，通过它来探索写作如何在今天的艺术实践中运作：为什么人类的声音在当代艺术中如此普遍？观众如何参与有声写作？发声是如何影响我们在画廊中对语言驱动的艺术品的体验的？我们如何批判性地评估画外音音轨的文学和美学特征？画廊如何让听众“听觉阅读”：解读那些看不见的有声文本？在回答这些问题时，本项目将产生一系列学术和非学术产出和活动。我的研究报告和文章将建立一个新的跨学科研究领域。我的作品将塑造艺术家、机构和评论家未来如何制作、策划和分析画外音。与创意产业的合作是这个项目不可或缺的部分。这项研究将与诺丁汉当代艺术馆和约翰·汉萨德画廊的参与、展览和公共节目专业人士合作进行。这些组织将联合收割机在策划最具创新性的当代艺术方面的国际声誉与吸引不同的当地观众的深刻承诺相结合。通过在画廊中嵌入正在进行的研究，并在艺术专业人士和高等教育之间进行对话和交流，该项目将调动研究中的见解，为语言驱动的艺术实践打开切入点。近距离聆听工作坊和学习班将邀请参与者探索体验和解读艺术中有声文字的新方法。在画廊免费分发的宣传单张将引导和丰富观众的画外音体验。南安普顿市中心的一个场外展览将邀请新的公众在他们的城市空间体验一个特别策划的画外音装置。跨学科，与文化机构及其社区合作，这个创新的领导项目将改变我们如何遇到，调解和解释一个重要的，新兴的当代艺术制作模式。

项目成果

When Attitudes Become Platitudes, Live in the Cloud

当态度变得陈词滥调时，生活在云端

• DOI: 10.1215/17432197-8233392
• 发表时间: 2020
• 期刊: Cultural Politics
• 作者: Hayden S

Emma Wolukau-Wanambwa: Voiced and Unvoiced

艾玛·沃卢考-瓦南布瓦：有声与无声

• 发表时间: 2020
• 作者: Hayden S

'YOU WONT BE ABLE TO REWIND BUT ONLY GO FORWARD': Laure Prouvost's AM-BIG-YOU-US LEGSICON

“你无法倒带，只能前进”：Laure Prouvost 的《AM-BIG-YOU-US LEGSICON》

• 发表时间: 2019
• 期刊: Paper Visual Art
• 作者: Hayden S

Helio-a-go-go: on Dennis McNulty's 'I Reached Inside Myself Through Time

Helio-a-go-go：关于丹尼斯·麦克纳尔蒂的《我穿越时间到达了自己的内心》

• 发表时间: 2022
• 作者: Hayden S

Liquid citizenship, liquid voice and sensorial sovereignty

流动的公民身份、流动的声音和感官主权

• 发表时间: 2020
• 期刊: boundary 2 online journal
• 作者: Hayden S