New Engagements to enhance artists' livelihoods in East Africa: Art; Writing; Work

旨在提高东非艺术家生计的新活动：艺术；

• 批准号: AH/S005668/1
• 负责人: Andrew Burton
• 金额: $ 11.76万
• 依托单位: Newcastle University
• 依托单位国家: 英国
• 项目类别: Research Grant
• 财政年份: 2019
• 资助国家: 英国
• 起止时间: 2019 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=AH%2FS005668%2F1
• 关键词: New; Engagements; enhance; artists; livelihoods

This impact and engagement project focusses on practical interventions that will support artists living and working in Kenya, Uganda and Rwanda build sustainable livelihoods and help build capacity in the creative industries in in East Africa, an international development priority. It will do this through engagements that respond to the needs, ambitions and priorities of visual art professionals as stated by themselves, the local organisations that support them and set out in government policy and development reports on the creative economy in East Africa commissioned by the British Council. The planned engagements and impacts have been developed through the activities of the AHRC-GCRF funded research network 'Networking New Opportunities for Artists in East Africa' which draws together visual art professionals from diverse backgrounds in East Africa, including artists and art collectives living and working in deprived areas, to collaboratively scope interventions that will support the sustainable development of their livelihoods. The network's activities focus on identifying pragmatic approaches to shared problems, practical initiatives that will impact directly on real life experiences and and make definable contributions to building capacity for visual art activity in the creative economy, thus working towards EAC and international development goals.Extended evidence-gathering has identified that a fundamental constraint to addressing many of the challenges artists face is a deficit in 'art writing' skills. This deficit is apparent at all levels in the visual art ecology and impacts in variety of ways, from a lack of confidence in preparing basic written material for self-promotion which can exclude or disadvantage many artists when trying to access professional opportunities, to the absence of a shared body of developed artistic critique. Not only does this inhibit artistic production, but it also constrains the role and capacity of the visual arts within the cultural economy. Balanced against this, new platforms including a new art magazine are struggling to emerge, and the enthusiasm, energy and demand for practical initiatives to assist development of artistic writing is evidence that the emergent generation of artistic writers and critics who are already identifying themselves as key future players in the creative economy, will respond enthusiastically to opportunities offered to assist their professional development and make their voices heard.The project team: arts organisation 32 Degrees East, the British Council in East Africa, the BIEA, art publications Nairobi Contemporary, Art Monthly, and Newcastle University have worked collaboratively to develop plans for a set of engagements that will support specific types of art writing skills, equipping members of the visual art community with the key skills, knowledge and experience which are currently lacking and which will will assist them in the development of sustainable livelihoods.The project develops four related strands: the development of a new art writing toolkit for essential promotional material; a pilot project developing entrepreneurial and business skills in artists through reflective writing, and an innovative approach to nurturing emergent critical voices in the visual arts, fostering a new generation of artistic writers and providing them a public platform by supporting, in a sustainable way, a new magazine for art writing. Structured around an activity programme that includes workshops, mentoring and the publication of two editions of the art magazine, the project develops its impacts within a context where the importance of supporting artists and growing the creative economy has been recognised through measures such as the passing of the Creative and Cultural Industries Bill (2015), but where government support remains minimal. The impacts that will derive from this project are therefore urgent and vital.

这个影响和参与项目的重点是实际干预措施，将支持在肯尼亚，乌干达和卢旺达生活和工作的艺术家建立可持续的生计，并帮助东非创意产业的能力建设，这是一个国际发展优先事项。它将通过对视觉艺术专业人士的需求，抱负和优先事项做出回应的参与来做到这一点，这些需求，抱负和优先事项是由他们自己，支持他们的当地组织以及英国理事会委托的东非创意经济政府政策和发展报告中规定的。计划的参与和影响是通过亚洲人权理事会-全球儿童基金会资助的研究网络“东非艺术家网络新机会”的活动发展起来的，该网络汇集了来自东非不同背景的视觉艺术专业人士，包括生活和工作在贫困地区的艺术家和艺术团体，以合作确定干预措施的范围，支持他们生计的可持续发展。该网络的活动重点是确定解决共同问题的务实办法，将直接影响真实的生活经验的务实举措，并为创意经济中的视觉艺术活动能力建设做出明确贡献，从而努力实现东非共同体和国际发展目标。gathering已经确定，艺术家面临的许多挑战的一个基本制约因素是“艺术写作”技能的不足。这种缺陷在视觉艺术生态的各个层面都很明显，并以各种方式产生影响，从缺乏信心准备自我推销的基本书面材料，这可能会在试图获得专业机会时排除或不利于许多艺术家，到缺乏一个共同的发达艺术批评机构。这不仅抑制了艺术创作，而且也限制了视觉艺术在文化经济中的作用和能力。与此相平衡的是，包括一本新的艺术杂志在内的新平台正在努力涌现，对协助艺术写作发展的实际举措的热情、能量和需求证明，新兴一代的艺术作家和评论家已经将自己视为创意经济的关键未来参与者，将积极响应提供的机会，以帮助他们的专业发展，并让他们的声音被听到。项目团队：艺术组织32度东，英国理事会在东非，BIEA，艺术出版物内罗毕当代，艺术月刊，和纽卡斯尔大学合作制定了一套计划，将支持特定类型的艺术写作技能，为视觉艺术界的成员提供目前缺乏的关键技能、知识和经验，以帮助他们发展可持续的生计。该项目发展了四个相关的方面：为基本的宣传材料开发一个新的艺术写作工具包;通过反思性写作培养艺术家创业和商业技能的试点项目，以及培养视觉艺术中新兴批评声音的创新方法，培养新一代艺术作家，并通过以可持续的方式支持新的艺术写作杂志为他们提供公共平台。该项目围绕一个活动计划展开，其中包括研讨会、指导和出版两版艺术杂志，该项目在支持艺术家和发展创意经济的重要性已通过《创意和文化产业法案》（2015年）等措施得到认可的背景下产生影响，但政府的支持仍然很少。因此，该项目将产生的影响是紧迫和至关重要的。

项目成果

Developing Creative Economies in Africa - Spaces and Working Practices

发展非洲创意经济——空间和工作实践

• DOI: 10.4324/9781003191681
• 发表时间: 2021
• 作者: Hracs B