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Baroque Latinity

巴洛克拉丁风格

基本信息

批准号：
AH/S006214/1
负责人：
Gesine Manuwald
金额：
$ 4.35万
依托单位：
University College London
依托单位国家：
英国
项目类别：
Research Grant
财政年份：
2019
资助国家：
英国
起止时间：
2019 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FS006214%2F1
关键词：
Baroque Latinity

项目摘要

Baroque (c. 1580-c. 1720) is important as the earliest aesthetic - and cultural - movement to have global impact, spread as it was through dynastic ambition, mercantilism, and missionary fervour. Latin, as a supranational language, played a major role in propagating this style. In literature, Baroque was characterized by rhetorical devices, especially through exaggerated forms such as paradoxes, anachronisms, antitheses, and oxymora that roused the emotions and engaged the senses. Interfacing with vernacular literature, the Neo-Latin literature of the 17th century contributed not only to the development of drama, but to the rise of the novel, as well as to the evolution of more traditional forms such as the epic and the epigram. Beyond belles lettres, Latin supplied lyrics to musical compositions of the time and was employed in the visual arts. In politics, Latin served as the language of treatises and contracts; in religion, it furthered the Roman Catholic Counter-Reformation. It became the language of international scientific communication, used to announce and explain new discoveries. The ability to write in the common European language of scholarship was an indicator of educational achievement in an age when rhetorical and grammatical competence was demanded.Because 'Baroque' post-dates the art to which it was applied, coming into familiar use only since the nineteenth century, and because 17th-century culture was seen traditionally as a decline after the flourishing of Renaissance Humanism, this term fell out of fashion in the 1960s and 1970s. However, there has been a renewal of interest in Baroque during the past decade, due to scholarly initiatives that challenge traditional - especially European-centred - historical narratives. The term has become a focus of discussion among art historians, but literary scholars are only beginning to enter the debate. It is urgent now to move the research agenda forward - to expand on the collection of articles edited by Jan Bloemendal and Nigel Smith, Politics and Aesthetics in European Baroque and Classicist Tragedy (2016) - and to uncover aspects of a period in literature that have been forgotten, but also while looking beyond periodization in an attempt to comprehend how literary practice traverses geographic and linguistic borders. A re-examination is required from a broad range of international experts to reinvigorate and challenge past thoughts around the Baroque in literature. Our network will bring together a group of UK and Continental scholars, as well as librarians, to uncover aspects of Baroque that have been lost and to offer new understandings of literary practice and intellectual movements, rather than simply to provide further information for period-based cultural history. Our project will generate fruitful and novel interaction not only by amalgamating ongoing research, but by searching out forgotten texts in order to arrive at a more comprehensive understanding of Baroque writing.Our first objective, through this timely re-examination, is to spin off major, long-term projects, to be determined through confronting major questions relating to Latin writing and the artistic concept of the Baroque, and the use of Latin in the expression of the new ideas of the Baroque era - in politics, commerce, science, and art. By amalgamating the individual research of network participants in our workshops, we will be able to draw up a perceptive and inclusive outline of the issues underlying Baroque Latinity, and thus be able to identify the most promising pathways for long-term projects.Our second objective, through our public engagement activities, is to raise the profile of 17th-century Latin and to signal its importance in the formation of modern society. Latin is often thought of as an antiquated ('dead') language, while its use and influence lasted well into the modern era - indeed, the majority of all surviving Latin texts come from the 17th century.

Baroque（c. 1580-c。1720年）是重要的，作为最早的美学-和文化-运动有全球性的影响，传播，因为它是通过王朝的野心，重商主义，和传教士的热情。拉丁语作为一种超民族语言，在传播这种风格方面发挥了重要作用。在文学上，巴洛克的特点是修辞手法，特别是通过夸张的形式，如悖论，时代错误，对立和矛盾，唤起情感和参与感官。世纪的新拉丁文学与本土文学相结合，不仅促进了戏剧的发展，而且促进了小说的兴起，也促进了史诗和警句等传统形式的演变。除了《美女》，拉丁语还为当时的音乐作品提供歌词，并被用于视觉艺术。在政治上，拉丁语被用作论文和合同的语言;在宗教上，它促进了罗马天主教的反宗教改革。它成为国际科学交流的语言，用于宣布和解释新发现。在一个需要修辞和语法能力的时代，用欧洲共同语言写作的能力是教育成就的一个指标。因为“巴洛克”的应用时间比它所应用的艺术要晚，直到世纪才被人们熟悉使用，而且因为17-世纪的文化传统上被认为是文艺复兴人文主义繁荣之后的衰落，这一术语在20世纪60年代和70年代就不流行了。然而，在过去的十年中，由于学术倡议挑战传统-特别是以欧洲为中心的-历史叙事，巴洛克的兴趣重新燃起。这个词已经成为艺术史学家讨论的焦点，但文学学者才刚刚开始参与辩论。现在迫切需要推进研究议程--扩展由扬·布卢门达尔和奈杰尔·史密斯编辑的文章集，《欧洲巴洛克和古典主义悲剧中的政治和美学》（2016）--并揭示文学中一个被遗忘的时期的各个方面，同时超越分期，试图理解文学实践如何跨越地理和语言边界。需要广泛的国际专家进行重新审查，以重振和挑战文学中围绕巴洛克的过去思想。我们的网络将汇集一群英国和大陆的学者，以及图书馆员，揭示巴洛克已经丢失的方面，并提供文学实践和知识运动的新理解，而不仅仅是提供基于时期的文化历史的进一步信息。我们的项目将产生富有成效的和新颖的互动，不仅通过合并正在进行的研究，但通过寻找被遗忘的文本，以达到更全面的了解巴洛克写作。我们的第一个目标，通过这种及时的重新审查，是剥离重大的，长期的项目，将通过面对有关拉丁文写作和巴洛克艺术概念的主要问题，以及在表达巴洛克时代的新思想中使用拉丁语-在政治，商业，科学和艺术中。通过将网络参与者的个人研究合并到我们的研讨会中，我们将能够起草一个关于巴洛克拉丁风格的问题的洞察力和包容性的大纲，从而能够为长期项目确定最有前途的途径。我们的第二个目标是通过我们的公众参与活动，是为了提高17世纪拉丁语的形象，并表明其在现代社会形成中的重要性。拉丁语通常被认为是一种过时的（“死亡”）语言，而它的使用和影响一直持续到现代-事实上，大多数幸存的拉丁语文本来自17世纪世纪。