Audiovisual Space: Recontextualising Sound-Image Media

视听空间:重新语境化声像媒体

基本信息

  • 批准号:
    AH/V006975/1
  • 负责人:
  • 金额:
    $ 25.65万
  • 依托单位:
  • 依托单位国家:
    英国
  • 项目类别:
    Fellowship
  • 财政年份:
    2021
  • 资助国家:
    英国
  • 起止时间:
    2021 至 无数据
  • 项目状态:
    已结题

项目摘要

The spatial turn, which swept the wider humanities, has not significantly contributed to inform our understandings of sound and image relationships. Audiovisual media are still often conceptualised in visually biassed, temporal frameworks, divided in relation to layers of narrative structure. This project seeks to investigate if spatial thinking can provide new understandings of the audiovisual, in which all sound and image elements (and their spatial properties) can be identified as fundamentally active participants in constituting our audiovisual experiences. This project will engage Oscar and EMMY award winning Sound Design professionals in collaborative research to unpack their tacit knowledge and to investigate the role that spatial thinking plays within their practice.Taking an interdisciplinary approach, this project seeks to use concepts of space to analyse and critique established audiovisual theories, bridging traditional subject boundaries and inspiring new perspectives for understanding sound and image media. Both traditional scholarly research and creative practice will be applied as complementary methodologies to test and interrogate hypotheses, working towards knowing both 'about' and 'through' audiovisual artefacts.Bringing together research from a range of different subject areas (including electroacoustic music, sound art, film musicology, film practice, spatial studies, architecture & anthropology) as well as adopting both scholarly and practice based methodologies, this project seeks to deliver new understandings which can be communicated to diverse academic audiences and practitioners within the creative industries. Outcomes have the potential to benefit scholars of audiovisual media, students and graduates looking to develop their creative practices through critical understandings, and creative industry professionals seeking to engage with the latest theoretical perspectives to advance their practices. Outcomes will be particularly relevant for studies in emerging areas such as Virtual Reality where conventional temporal constructs of film are dissolved by the mediumThis project will:1. Synthesise concepts from electroacoustic music, film sound practice, spatial studies and film studies towards developing new interdisciplinary understandings of the audiovisual as spatial constructs [Outputs - A,B,D,F,G].2. Engage with non-academic film sound practitioners to stimulate knowledge exchange, informing theoretical understandings and seeding impact from academia into the creative industries [Outputs - E,F,G,C].3. Establish agendas of research, facilitating international interdisciplinary collaboration and exchange via conferences, journal special issues and edited volumes [Outputs - C,D,E,F,G].4. Host international networking events to bring together fellow researchers within audiovisual and contiguous fields to work collaboratively on projects and publications [Outputs - G,C,E,F].In addition to academics and researchers in universities, this project actively involves leading creative professionals (via partnership with the Association of Motion Picture Sound (AMPS)) engaging the extensive tacit knowledge from professionals working in commercial film. This methodology enables the triangulation of research findings and the opportunity to investigate spatial conceptions of the audiovisual from a range of different perspectives. Outputs will include books, academic journal articles, edited volumes, audiovisual compositions, radiophonic work, public talks and conferences.Networking events for researchers (with emphasis on supporting Early Career academics) will take place as part of the Leadership activities associated with this event, engaging both European and international research communities in the investigation of and promotion of new agendas of research in the area of audiovisual space.
空间转向,席卷了更广泛的人文学科,并没有显着有助于告知我们的声音和图像关系的理解。视听媒体仍然经常被概念化,在视觉上有偏见,时间框架,划分与叙事结构的层次。该项目旨在调查空间思维是否可以提供对视听的新理解,其中所有声音和图像元素(及其空间属性)都可以被识别为构成我们视听体验的基本积极参与者。该项目将邀请获得奥斯卡和艾美奖的声音设计专业人士进行合作研究,以解开他们的隐性知识,并探讨空间思维在他们的实践中所扮演的角色。该项目采用跨学科的方法,旨在利用空间概念分析和批判现有的视听理论,弥合传统学科界限,激发理解声音和图像媒体的新视角。传统的学术研究和创造性实践都将作为互补的方法来测试和询问假设,努力了解“关于”和“通过”视听艺术品。(包括电声音乐,声音艺术,电影音乐学,电影实践,空间研究,建筑与人类学),并采用学术和实践为基础的方法,这个项目旨在提供新的理解,可以传达给不同的学术观众和从业人员在创意产业。成果有可能使视听媒体学者,希望通过批判性理解发展创意实践的学生和毕业生以及寻求与最新理论观点接触以推进实践的创意行业专业人士受益。结果将是特别相关的新兴领域的研究,如虚拟现实,传统的时间结构的电影是解散的mediumThis项目将:1。综合电声音乐,电影声音实践,空间研究和电影研究的概念,以发展视听作为空间结构的新的跨学科理解[输出- A,B,D,F,G]。2.与非学术性电影声音从业人员接触,以促进知识交流,为理论理解提供信息,并将学术界的影响力注入创意产业[产出- E、F、G、C]。制定研究议程,通过会议、期刊特刊和编辑卷促进国际跨学科合作和交流[产出- C、D、E、F、G]。举办国际网络活动,将视听和相关领域的研究人员聚集在一起,共同致力于项目和出版物[产出- G,C,E,F]。除了大学的学者和研究人员外,该项目还积极吸引领先的创意专业人士(通过与电影声音协会(AMPS)的合作伙伴关系)参与商业电影专业人士的广泛隐性知识。这种方法使研究结果的三角测量和机会,从一系列不同的角度调查视听的空间概念。产出将包括书籍、学术期刊文章、编辑文集、视听作品、无线电作品、公开演讲和会议。(重点是支持早期职业学者)将作为与此事件相关的领导活动的一部分,使欧洲和国际研究界参与调查和促进视听领域新的研究议程,空间

项目成果

期刊论文数量(2)
专著数量(0)
科研奖励数量(0)
会议论文数量(0)
专利数量(0)
Convergence in Parallel Praxis: Electroacoustic Music and Sound Design
并行实践的融合:电声音乐和声音设计
  • DOI:
    10.5920/parallelpraxis
  • 发表时间:
    2022
  • 期刊:
  • 影响因子:
    0
  • 作者:
    Knight-Hill A
  • 通讯作者:
    Knight-Hill A
Art of Sound: Creativity in Film Sound and Electroacoustic Music
声音艺术:电影声音和电声音乐的创造力
  • DOI:
  • 发表时间:
  • 期刊:
  • 影响因子:
    0
  • 作者:
    Andrew Knight-Hill
  • 通讯作者:
    Andrew Knight-Hill
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Andrew Knight-Hill其他文献

Andrew Knight-Hill的其他文献

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{{ truncateString('Andrew Knight-Hill', 18)}}的其他基金

SHIFT - Shared Hub for Immersive Future Technologies
SHIFT - 沉浸式未来技术的共享中心
  • 批准号:
    AH/X010260/1
  • 财政年份:
    2023
  • 资助金额:
    $ 25.65万
  • 项目类别:
    Research Grant

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