Generations and Feminist Temporalities in Contemporary Northern Irish Performance

当代北爱尔兰表演中的世代与女权主义时间性

• 批准号: AH/X004414/1
• 负责人: Shonagh Hill
• 金额: $ 25.3万
• 依托单位: Queen's University Belfast
• 依托单位国家: 英国
• 项目类别: Fellowship
• 财政年份: 2023
• 资助国家: 英国
• 起止时间: 2023 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=AH%2FX004414%2F1
• 关键词: Generations; Feminist; Temporalities; Contemporary; Northern

'Generations and Feminist Temporalities in Contemporary Northern Irish Performance' will examine how we narrate feminist histories in Northern Ireland (NI) though the context of contemporary performance. The study encompasses theatre, dance and performance art in NI from the last five years. The complexity of identity in NI is ripe for further examination through attention to gendered histories. The Fellowship will bring feminist histories into dialogue with performance histories in NI; a unique approach which will attest to the richness of NI's creative output, as well as expanding our understanding of the ways in which we tell feminist histories. The project considers: What are the implications for feminist and Northern Irish histories when these are transmitted through a generational model? This will initiate exploration of cross-generational and intergenerational experiences, non-linear temporalities, as well as feminist concepts of solidarity and intersectionality. Embodiment and affect will provide critical frameworks that broaden our understanding of these relationships and models.Through the Fellowship I will generate pioneering interdisciplinary research which will be made available to, and beyond, an academic audience. The research will be disseminated through key outputs: a monograph; media articles; a podcast series; and a public, creative workshop at the Ulster Museum. As research for the chapters progresses, I will share the key findings with a non-academic audience by publishing media articles. The monograph will be available as an Open Access publication and the podcast series will be freely available on the QUB website. The research will be shared with the international academic community through conference and working group participation, namely the International Federation for Theatre Research annual conference, as well as conferences in the UK and on the island of Ireland. I will build on my existing Practice-as-Research (PaR) project which examined the embodied experiences of different generations of women in NI, as well as their differing relationships to feminisms. The project also investigated working practices that address the tensions and solidarities of intergenerational relationships. The Fellowship will extend this research through address of: trauma, violence and cross-generational experiences; activism and intergenerational relations; embodiment and intersectionality; collage and non-linear models of feminist histories. I will combine the PaR data concerning lived experiences of gender in NI with the new research generated by the Fellowship (critical performance analysis) to amplify my innovative argument.The proposed monograph will address generational time through discussion of Darren Murphy's play X'ntigone (2022). Trauma, violence and cross-generational experiences will be investigated through analysis of two plays: Shedding of Skin by Vittoria Cafolla (2021) and Consumed by Karis Kelly (2022). I will examine intergenerational relations through discussion of feminist and queer activism in the North on a range of issues and will focus on artist-activists' use of performance, including the work of Array Collective and Gemma Hutton. Investigation of Oona Doherty's choreographic work for groups of women (the Sugar Army in Hard to be Soft: A Belfast Prayer and Lady Magma) offers the means of exploring the concepts of intersectionality and solidarity through affect and embodiment. Examination of the range of feminisms that circulate through Doherty's work will encompass analysis of magma as a movement language which is implicitly informed by the second wave concept of écriture feminine. Linear and generational models of history sow division and exclude non-mainstream experiences and narratives so the last chapter will examine non-linear models of telling feminist histories through address of experimental approaches such as collage by Oona Doherty and Array Collective's Emma Campbell.

“当代北爱尔兰表演中的几代人和女权主义的临时性”将研究我们如何通过当代表现的背景来叙述北爱尔兰（NI）的女权主义历史。从过去的五年开始，该研究涵盖了NI的剧院，舞蹈和表演艺术。 Ni中身份的复杂性通过注意性别历史的关注而成熟，可以进一步检查。奖学金将使女权主义的历史与NI的表演历史对话；一种独特的方法，可以证明NI创造性产出的丰富性，并扩展我们对我们讲述女性主义历史的方式的理解。该项目认为：当通过世代模型传播这些历史时，女权主义和北爱尔兰历史有什么影响？这将引发跨代和代际经验，非线性临时性以及女权主义的团结和交叉性概念的探索。体现和影响将提供关键的框架，以扩大我们对这些关系和模型的理解。通过奖学金，我将产生开拓性的跨学科研究，并可以提供学术受众。该研究将通过关键输出传播：专着；媒体文章；播客系列；以及阿尔斯特博物馆的公共创意研讨会。随着章节的研究进行，我将通过发表媒体文章与非学术观众分享关键发现。该专着将作为开放访问出版物提供，播客系列将在Qub网站上免费获得。这项研究将通过会议和工作组参与与国际学术界共享，即国际剧院研究年度会议以及英国和爱尔兰岛上的会议。我将基于我现有的实践研究（PAR）项目，该项目研究了NI中不同一代妇女的体现，以及她们与女权主义的不同关系。该项目还调查了解决代际关系的紧张和团结的工作实践。奖学金将通过以下地址扩展这项研究：创伤，暴力和跨代经历；行动主义和代际关系；实施和交叉性；女权主义历史的colage和非线性模型。我将结合有关NI中性别实时经验的PAR数据，以及奖学金（批判性能分析）产生的新研究，以扩大我的创新论点。拟议的专着将通过讨论达伦·墨菲（Darren Murphy）的戏剧X'ntigone（2022）来解决世代的时间。将通过分析两部戏剧来研究创伤，暴力和跨代经历：Vittoria Cafolla（2021）对皮肤的脱落，并由Karis Kelly（2022）消费。我将通过讨论北部的女权主义和酷儿行动主义在一系列问题上的讨论，并将重点关注艺术家激进主义者对绩效的使用，包括阵列集体和杰玛·赫顿的作品。对Oona Doherty的编排工作的调查（难以柔软的糖军：贝尔法斯特祈祷和岩浆女士）提供了探索通过情感和体现来探索交叉性和团结概念的含义。研究通过Doherty的作品传播的女权主义范围将包括对岩浆作为一种运动语言的分析，这是由第二波女性的第二波概念隐含地告知的。历史的线性和世代模型播种划分并排除了非主流经验和叙述，因此上一章将通过讲述实验方法（例如Oona Doherty和Array Colledive的Emma Campbell）的实验方法来研究女性主义历史的非线性模型。