Generations and Feminist Temporalities in Contemporary Northern Irish Performance

当代北爱尔兰表演中的世代与女权主义时间性

• 批准号: AH/X004414/1
• 负责人: Shonagh Hill
• 金额: $ 25.3万
• 依托单位: Queen's University Belfast
• 依托单位国家: 英国
• 项目类别: Fellowship
• 财政年份: 2023
• 资助国家: 英国
• 起止时间: 2023 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=AH%2FX004414%2F1
• 关键词: Generations; Feminist; Temporalities; Contemporary; Northern

'Generations and Feminist Temporalities in Contemporary Northern Irish Performance' will examine how we narrate feminist histories in Northern Ireland (NI) though the context of contemporary performance. The study encompasses theatre, dance and performance art in NI from the last five years. The complexity of identity in NI is ripe for further examination through attention to gendered histories. The Fellowship will bring feminist histories into dialogue with performance histories in NI; a unique approach which will attest to the richness of NI's creative output, as well as expanding our understanding of the ways in which we tell feminist histories. The project considers: What are the implications for feminist and Northern Irish histories when these are transmitted through a generational model? This will initiate exploration of cross-generational and intergenerational experiences, non-linear temporalities, as well as feminist concepts of solidarity and intersectionality. Embodiment and affect will provide critical frameworks that broaden our understanding of these relationships and models.Through the Fellowship I will generate pioneering interdisciplinary research which will be made available to, and beyond, an academic audience. The research will be disseminated through key outputs: a monograph; media articles; a podcast series; and a public, creative workshop at the Ulster Museum. As research for the chapters progresses, I will share the key findings with a non-academic audience by publishing media articles. The monograph will be available as an Open Access publication and the podcast series will be freely available on the QUB website. The research will be shared with the international academic community through conference and working group participation, namely the International Federation for Theatre Research annual conference, as well as conferences in the UK and on the island of Ireland. I will build on my existing Practice-as-Research (PaR) project which examined the embodied experiences of different generations of women in NI, as well as their differing relationships to feminisms. The project also investigated working practices that address the tensions and solidarities of intergenerational relationships. The Fellowship will extend this research through address of: trauma, violence and cross-generational experiences; activism and intergenerational relations; embodiment and intersectionality; collage and non-linear models of feminist histories. I will combine the PaR data concerning lived experiences of gender in NI with the new research generated by the Fellowship (critical performance analysis) to amplify my innovative argument.The proposed monograph will address generational time through discussion of Darren Murphy's play X'ntigone (2022). Trauma, violence and cross-generational experiences will be investigated through analysis of two plays: Shedding of Skin by Vittoria Cafolla (2021) and Consumed by Karis Kelly (2022). I will examine intergenerational relations through discussion of feminist and queer activism in the North on a range of issues and will focus on artist-activists' use of performance, including the work of Array Collective and Gemma Hutton. Investigation of Oona Doherty's choreographic work for groups of women (the Sugar Army in Hard to be Soft: A Belfast Prayer and Lady Magma) offers the means of exploring the concepts of intersectionality and solidarity through affect and embodiment. Examination of the range of feminisms that circulate through Doherty's work will encompass analysis of magma as a movement language which is implicitly informed by the second wave concept of écriture feminine. Linear and generational models of history sow division and exclude non-mainstream experiences and narratives so the last chapter will examine non-linear models of telling feminist histories through address of experimental approaches such as collage by Oona Doherty and Array Collective's Emma Campbell.

“当代北方爱尔兰表演中的世代和女权主义时间性”将考察我们如何在当代表演的背景下叙述北方爱尔兰（NI）的女权主义历史。该研究包括过去五年在NI的戏剧，舞蹈和表演艺术。北爱尔兰身份的复杂性已经成熟，可以通过关注性别历史来进一步审视。该奖学金将使女权主义历史与NI的表演历史进行对话;这是一种独特的方法，将证明NI的创造性成果的丰富性，并扩大我们对我们讲述女权主义历史的方式的理解。该项目认为：什么是女权主义和北方爱尔兰历史的影响时，这些是通过世代模式传输？这将开始探索跨代和代际经验，非线性时间性，以及团结和交叉性的女权主义概念。具体化和影响将提供关键的框架，扩大我们对这些关系和模型的理解。通过奖学金，我将产生开创性的跨学科研究，这将提供给，超越，学术观众。这项研究将通过以下主要产出进行传播：一本专著;媒体文章;一个播客系列;以及在阿尔斯特博物馆举办的一个公共创意讲习班。随着各章研究的进展，我将通过发表媒体文章与非学术受众分享主要发现。该专著将作为开放获取出版物提供，播客系列将在QUB网站上免费提供。这项研究将通过会议和工作组的参与，即国际戏剧研究联合会年会，以及在英国和爱尔兰岛的会议，与国际学术界分享。我将建立在我现有的实践研究（PaR）项目，该项目研究了NI不同世代女性的具体经历，以及她们与女权主义的不同关系。该项目还调查了处理代际关系紧张和团结的工作做法。该奖学金将通过解决：创伤，暴力和跨代经历扩展这项研究;行动主义和代际关系;体现和交叉性;拼贴和女权主义历史的非线性模型。我将结合联合收割机的PaR数据有关的性别在NI的生活经验与奖学金（关键性能分析）产生的新的研究，以扩大我的创新argument.The拟议的专着将通过讨论达伦墨菲的发挥X 'ntigone（2022）代时间。创伤，暴力和跨代的经验将通过分析两个戏剧进行调查：由维多利亚Cafolla（2021年）和消耗由卡里斯凯利（2022年）皮肤脱落。我将通过在一系列问题上讨论北方的女权主义和酷儿行动主义来研究代际关系，并将重点关注艺术家活动家对表演的使用，包括Array Collective和Gemma赫顿的作品。对乌娜·多尔蒂为妇女群体（《难以柔软：贝尔法斯特的祈祷》和《岩浆夫人》中的糖军）编排的舞蹈作品的调查提供了通过影响和体现来探索交叉性和团结的概念的手段。对多尔蒂作品中流传的一系列女权主义的审视将包括对岩浆作为一种运动语言的分析，这种语言隐含着第二波女性写作概念的影响。历史的线性和世代模式播种分裂和排除非主流的经验和叙事，所以最后一章将通过实验方法，如拼贴乌娜多尔蒂和阵列集体的艾玛坎贝尔的地址来检查讲述女性主义历史的非线性模式。