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A feminist analysis of Iranian women's historical 'indoor' performance and its impact on street protests of the Gender Justice movements in contempora

对伊朗妇女历史“室内”表演及其对当代性别正义运动街头抗议的影响的女权主义分析

基本信息

批准号：
2885541
负责人：
金额：
--
依托单位：
University of Manchester
依托单位国家：
英国
项目类别：
Studentship
财政年份：
2023
资助国家：
英国
起止时间：
2023 至无数据
项目状态：
未结题

来源：
https://gtr.ukri.org/projects?ref=studentship-2885541
关键词：
feminist analysis Iranian women historical

项目摘要

This research project will develop understanding of the ways in which women's performance in Iran intervenes in public life. It will ask how performance practice contributes to women's responses to political, social and legal restriction. Analyzing women's historical 'indoor' performances and contemporary protests through the lens of performance has potential to enrich an expanding theoretical field on activism and performance, and an evolvingrepertoire of activist approaches.I will situate this investigation in a study of Iranian Women's Domestic Performances and Games in the 18th and 19th centuries, also known as 'indoor' performances, which I believe can be considered the historical roots of contemporary gender activism in Iran. The three contemporary women-led anti-hijab political protest performancesI focus on as case studies in this project will be analyzed with a view to this historical practice. My project on a feminist study of women's performance in contemporary Iran identifies a gap in theatre and performance as a discipline, as well as in contemporary Iranian cultural politics, which is particularly vital in the present moment, given the current uprising in Iran. Additionally, this research draws hithero-unknown connections to older forms of Iranian performance by women, circumscribing the imperative field of Iranian women liberation and feminist movement.

该研究项目将加深对伊朗妇女的表现干预公共生活的方式的了解。它将询问表演实践如何有助于女性对政治、社会和法律限制的反应。通过表演的视角来分析妇女历史上的“室内”表演和当代抗议活动，有可能丰富关于行动主义和表演的不断扩大的理论领域，以及不断发展的行动主义方法。我将把这项调查置于对 18 世纪和 19 世纪伊朗妇女的家庭表演和游戏的研究中，也称为“室内”表演，我相信这可以被认为是当代性别的历史根源伊朗的激进主义。我在本项目中重点关注的三场当代女性领导的反头巾政治抗议表演作为案例研究，将结合这一历史实践进行分析。我对当代伊朗女性表演的女权主义研究项目确定了戏剧和表演作为一门学科以及当代伊朗文化政治中的差距，考虑到伊朗当前的起义，这一点在当前尤为重要。此外，这项研究还与伊朗妇女的旧式表演建立了迄今为止未知的联系，界定了伊朗妇女解放和女权运动的重要领域。