The cameraman's experience of the Second World War: a study of the Army Film and Photographic Unit's 'dope sheets'.

摄影师在第二次世界大战中的经历：对陆军电影和摄影部队“底片”的研究。

• 批准号: 1888497
• 金额: --
• 依托单位: University of London
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2018
• 资助国家: 英国
• 起止时间: 2018 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-1888497
• 关键词: cameraman; experience; Second; World; War

The methodology will compare the dope sheets with pre and post war testimonies, where available, alongside the content of other historical and biographical material. Such source material would provide a basis for comparative analysis. The Imperial War Museum is particularly rich in these holdings containing not only the dope sheets themselves, but private papers, personal correspondence and an extensive collection of oral history interviews with former members of AFPU. Examining discrepancies or similarities between dope sheets complied in the midst of combat, and recollections of the same events decades later, provides a basis from which to examine the effects of changing societal trends or personal circumstances on memories of combat. The question of how and to what extent it is possible to remain detached when filming combat especially when one has formed a bond with those being filmed raises the interesting question of parallels with the filming of recent conflicts in Afghanistan, Iraq and Syria. I intend to utilise archival material from an array of institutions including The National Army Museum, The British Film Institute and the National Media Library. Comparison between the dope sheets and official War Office correspondence held in the National Archives offers the opportunity of insight into attitudes towards censorship and reconstruction. Similarly the archives of the Broadcasting, Entertainment, Communications and Theatre Union (BECTU) offer a potential vital source of biographical data regarding the pre and post war careers of individual AFPU personnel.

该方法将比较涂料表与战前和战后的证词，如果有，以及其他历史和传记材料的内容。这些原始资料将为比较分析提供基础。帝国战争博物馆的这些藏品特别丰富，不仅有涂料单本身，还有私人文件、个人信件和大量收集的对前AFPU成员的口述历史采访。检查在战斗中遵守的涂料表之间的差异或相似之处，以及几十年后对相同事件的回忆，提供了一个基础，从中检查不断变化的社会趋势或个人情况对战斗记忆的影响。在拍摄战斗时，尤其是当一个人与被拍摄者建立了联系时，如何以及在多大程度上保持超然的问题提出了一个有趣的问题，即与最近在阿富汗，伊拉克和叙利亚拍摄冲突的相似之处。我打算利用来自一系列机构的档案材料，包括国家陆军博物馆，英国电影学院和国家媒体图书馆。比较国家档案馆保存的情报表和陆军部的官方信件，我们有机会深入了解人们对审查制度和重建的态度。同样，广播、娱乐、通信和戏剧联盟的档案也是关于警察部队个别人员战前和战后职业生涯的重要资料来源。