Edges of the Body: Camouflage and the Performative Dimensions of Morphology

这项以实践为基础的研究项目将伪装作为一种新的概念来研究舞蹈实践中的主观性。变色龙这个术语为解决主体间性和表演者-观众中介的问题提供了一个框架，这些问题在最近的话语中很少受到关注。在自我和环境的相互作用中，我的目标是伪装和编舞相互交织和交织，以求对一系列研究问题做出回应，这些问题调查了在最近艺术想象和机构协议的编舞转向的背景下，自我和社会的新形式是如何展开的。伪装如何提供一个镜头来研究与环境和整个社会有关的自我的空间和肉体组织？为此，本研究项目将采用城市心理地理学的实证研究、体验式运动研究、基于工作室的视觉研究和书面工作。这个项目分为三个阶段，包括六个章节的论文，三个舞蹈现场表演，一个视频作品和一个总结个展。

This practice-based research project develops camouflage as a novel concept for the study of subjectivity in choreographic practice. The chameleonic term provides a frame for tackling questions of intersubjectivity and performer-audience agency, issues that have received little attention in recent discourse. In the interplays of self and environment, I aim for camouflage and choreography to intersect and interlace in order to develop responses to a series of research questions that investigate how new forms of co-constitutions of the self and the social unfold against the backdrop of the recent choreographic turn in the artistic imagination and institutional protocols. How can camouflage provide a lens for investigating the spatial and corporeal organisations of the self in relation to an environment and society at large? To this end, this research project will employ empirical research in urban psycho-geography, embodied movement research, studio-based visual research and written work. Divided into three phases, this project develops a thesis of six chapters, three choreographic live performances, a video work and a concluding solo exhibition.