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Young people, violence and the 'everyday' co-production of geopolitical discourse in Player Unknown's Battlegrounds

《绝地求生》中的年轻人、暴力和地缘政治话语的“日常”共同制作

基本信息

批准号：
2236319
负责人：
金额：
--
依托单位：
Newcastle University
依托单位国家：
英国
项目类别：
Studentship
财政年份：
2019
资助国家：
英国
起止时间：
2019 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=studentship-2236319
关键词：
Young people violence everyday co

项目摘要

This research will focus on the producers of, and young people who play, videogames to understand how popular geopolitical discourse emerges through co-productive, 'everyday' practices and explore the effects of this on young people. Advancing emerging scholarship within popular geopolitics and video game studies, this research will argue that processes of globalisation, such as improvements in online communications, have enabled game producers and the young people who play videogames, to co-produce geopolitical discourses. To do this it aims to engage with the producers of PlayerUnknown's Battlegrounds (PUBG) to gain insights into the creative practices and processes involved in the (re)production of popular geopolitical discourse through the game. This project also seeks to understand how young people as 'active audiences' and 'geopolitical agents' are involved in the co-production of popular geopolitical discourse, through 'everyday', 'violent' and creative practices of videogaming. Finally, it will attend to the social effects of engaging in practices of geopolitical co-production have on young people. To do this, the project will adopt a participatory mixed methods approach, using hybrid ethnography and semi-structured interviews to investigate how the producers of, and young people who play PUBG, co-produce and live geopolitics (Dittmer and Gray 2010). In doing so this research project will move away from the abstract focus of recent scholarship on how geopolitical discourse shapes everyday life, to instead attend to how producers and audiences alike negotiate and rework geopolitical discourses as part of their everyday lives.

这项研究将重点关注电子游戏的制作者和玩电子游戏的年轻人，以了解流行的地缘政治话语如何通过共同生产的“日常”实践出现，并探讨这对年轻人的影响。这项研究将推动流行地缘政治和电子游戏研究中的新兴学术发展，认为全球化进程，例如在线通信的改进，使游戏制作人和玩电子游戏的年轻人能够共同产生地缘政治话语。为此，它旨在与《绝地求生》（PUBG）的制作人合作，深入了解通过游戏（重新）生产流行地缘政治话语所涉及的创意实践和流程。该项目还试图了解年轻人作为“活跃观众”和“地缘政治代理人”如何通过“日常”、“暴力”和创造性的电子游戏实践参与流行地缘政治话语的共同制作。最后，它将关注参与地缘政治合作生产实践对年轻人的社会影响。为此，该项目将采用参与式混合方法，利用混合民族志和半结构化访谈来调查《绝地求生》的制作人和玩 PUBG 的年轻人如何共同制作和现场地缘政治（Dittmer 和 Gray 2010）。在此过程中，该研究项目将摆脱近期学术界对地缘政治话语如何塑造日常生活的抽象关注，转而关注制片人和观众如何协商和改造地缘政治话语，将其作为日常生活的一部分。