Mycenaean Art and Society in the Late Bronze Age Aegean

爱琴海青铜时代晚期的迈锡尼艺术与社会

• 批准号: 2261361
• 金额: --
• 依托单位: University of Cambridge
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2019
• 资助国家: 英国
• 起止时间: 2019 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2261361
• 关键词: Mycenaean; Art; Society; Late; Bronze

This thesis aims to take an artistic approach to identity and social dynamics in the Late Bronze Age Aegean. There has not yet been an in-depth survey of Aegean art that takes context, content and style into consideration across a range of artefactual categories. I have chosen to focus on the Late Bronze Age, because it allows for an exploration of changing artistic practices over time. This period spans more than 600 years (ca. 1700-1050 BCE), encompassing the rise and fall of Mycenaean palatial civilisation as well as the end of the Neopalatial period on Crete. I would like to argue that 'art', a category often set aside in Aegean archaeology, is a meaningful analytical tool that can help us better understand the shifting social dynamics of the Late Bronze Age. How was art used and what purposes did the multitude of images fulfil during this time? Using a selection of representative examples, including both figurative and non-figurative artworks in a range of different media, this thesis aims to develop new ways of looking at and interpreting the art of the Late Bronze Age, beyond 'Minoanisation' and 'Mycenaeanisation'.

本论文旨在从艺术的角度探讨青铜时代晚期爱琴海地区的身份认同和社会动态。目前还没有对爱琴海艺术进行深入调查，将背景，内容和风格纳入一系列人工制品类别的考虑。我选择关注青铜时代晚期，因为它允许探索随着时间的推移而变化的艺术实践。这一时期跨越了600多年（约1000年）。公元前1700-1050年），包括迈锡尼宫殿文明的兴起和衰落以及克里特岛新帕拉蒂亚时期的结束。我想说的是，“艺术”，一个在爱琴海考古学中经常被搁置的类别，是一个有意义的分析工具，可以帮助我们更好地理解青铜时代晚期不断变化的社会动态。艺术是如何被使用的，在这段时间里，众多的图像实现了什么目的？本文选取了一些具有代表性的例子，包括在不同媒介中的具象和非具象艺术品，旨在发展新的方式来看待和解释青铜时代晚期的艺术，超越“米诺斯化”和“迈锡尼化”。