Productions of Landscape: Space, Place and the Capital of Nature in California, 1848-1917.

景观作品：加州的空间、地点和自然之都，1848-1917 年。

• 批准号: 2273810
• 金额: --
• 依托单位: University of Nottingham
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2019
• 资助国家: 英国
• 起止时间: 2019 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2273810
• 关键词: Productions; Landscape; Space; Place; Capital

Using a new theoretical model of space and place in relation to landscape my PhD will argue that closercultural and economic engagement with non-human nature propelled California to modernity. From USannexation in 1848 to the 1915 San Francisco world's fair, industrial practices and artistic expressionsincreasingly exploited the environment not through reckless consumption but careful cultivation: capitalaccumulation required it, and emerging conservationism advocated it. My MRes on northern Californianliterary landscapes from 1880-1917 outlines the space-place framework that my PhD expands into aninterdisciplinary, state-wide study. Using government reports, industrial studies, architecture plans, andperiodicals in addition to literature, my PhD treats landscapes as materialisations of environmental,economic, and cultural forces. I intertwine these diverse sources by distilling their geographies intoformative structures (space) and physical locations (place).

使用空间和地点与景观相关的新理论模型，我的博士将认为，与非人类本性的密切文化和经济接触将加州推向现代。从1848年的美国吞并到1915年的旧金山世博会，工业实践和艺术表现形式越来越多地利用环境，不是通过不计后果的消费，而是精心耕种：资本积累需要这样做，新兴的环保主义提倡这样做。我的1880年至1917年关于加州北部文学景观的MRE概述了我的博士学位扩展为跨学科的全州研究的空间-地点框架。除了文学之外，我的博士还使用政府报告、工业研究、建筑规划和期刊，将景观视为环境、经济和文化力量的物化。我通过将这些不同来源的地理位置提炼成构成结构(空间)和物理位置(位置)，将这些不同的来源交织在一起。