Subtitling Francophone World Cinema: Narratives of Identity, Alterity and Power in Audiovisual Translation

法语世界电影字幕：视听翻译中的身份、差异性和力量的叙述

• 批准号: 2273907
• 金额: --
• 依托单位: University of Nottingham
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2019
• 资助国家: 英国
• 起止时间: 2019 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2273907
• 关键词: Subtitling; Francophone; World; Cinema; Narratives

The proposed research project will explore the (re)construction and representation of linguistic andcultural hybridity in subtitled film. Specifically, it will investigate how subtitles draw on aural and visualsigns within the polysemiotic filmic text to produce systems of representation through which linguisticand cultural hybridity may be (re)constructed. In approaching my topic, I will employ Homi Bhabha's(1994) postcolonial translation theory framework to propose a reconceptualization of subtitling as an actof "translation and negotiation" that takes place in the "third space", or the space "in-between" the audioand visual codes of the filmic text. Drawing on Bhabha, I ask: how do the "productive capacities" of this"third space" engender multiple possibilities for (re)constructing and representing linguistic and culturalhybridity in subtitled film?

拟议的研究项目将探索字幕电影中语言和文化混合性的（重新）构建和表现。具体来说，它将研究字幕如何利用多符号电影文本中的听觉和视觉符号来产生表征系统，通过该表征系统可以（重新）构建语言和文化的混合性。在接近我的主题时，我将采用霍米·巴巴（Homi Bhabha）（1994）的后殖民翻译理论框架，提出将字幕重新概念化为发生在“第三空间”或电影文本的音频和视觉代码“之间”的空间的“翻译和谈判”行为。借鉴巴巴的经验，我问：这个“第三空间”的“生产能力”如何在带字幕的电影中（重新）构建和表现语言和文化的混合性产生多种可能性？