Devotion and 'The Queer Body in Elegy: Two Approaches'

该项目由一个创造性的部分、奉献和相应的关键部分组成，即《挽歌中的酷儿身体：两种方法》。Eibhlin Dubh Ni Chonaill是一本诗集，其核心作品是Eibhlin Dubh Ni Chonaill的一篇古怪的复述《渴望艺术》，标题是《渴望A-》。广义地说，创作部分描绘了各种形式的奉献，以及随后爱情诗和其中的挽歌的主持。诗歌考虑了神学、家庭和家庭信仰的方方面面，并以其核心敏锐地提出了这样一个问题：爱尔兰文学传统实际上能代表谁？《悲歌中的酷儿身体：两种方法》通过阅读马克·多蒂和玛丽·豪为亲人垂死的遗体写的挽歌，探讨了他们对美国艾滋病危机的美学方法。论文认为，要成功地挽回大批死于艾滋病毒/艾滋病病毒的人，并超越单纯的证词，每个诗人都必须颠覆或改变挽歌的形式。为此，马克·多蒂的《营地登记簿》和玛丽·豪的具体化、无隐喻的诗歌被解读为一种越轨的方式，将当时无法言说的东西变得优雅。

The project is comprised of a creative component, Devotion, and a corresponding critical component, 'The Queer Body in Elegy: Two Approaches'. Devotion is a poetry collection that as its centrepiece has a queer retelling of The Keen for Art O'Leary by Eibhlin Dubh Ni Chonaill titled 'Keen for A-'. Broadly speaking, the creative component depicts various forms of devotion, and the subsequent auspices of the love poem and the elegy therein. Poems consider aspects of theological, familial and domestic devotion, and with its central keen, asks the question 'Who can Irish literary tradition actually represent?' 'The Queer Body in Elegy: Two Approaches' examines Mark Doty's and Marie Howe's aesthetic approaches to the American AIDS crisis by reading their elegies for and about the dying bodies of their loved ones. The thesis contends that to elegise the legions of those dead from the HIV/AIDS virus successfully, and go beyond mere testimony, each poet has to subvert or alter the elegiac form. To that end, Mark Doty's Camp register and Marie Howe's embodied, metaphor-less poems are read as a transgressive method of elegising what was then unspeakable.All my best,