Locating Transness in Experience of Popular Music: A Queer Phenomenological Approach

跨性别经验在历史上一直被音乐学通过关注艺术音乐和生物性别的个案研究而被恋物癖化和其他化;然而，研究已经反映出流行音乐中的跨性别渗透到音乐成分、歌词、视觉表现美学和表演者身份中。作为一个非二元的人，我试图通过一个奇怪的现象学透镜，对流行音乐的跨性进行重新的认识和审视。我将通过对嘻哈音乐和舞蹈音乐中的音乐片段的详细分析，以及在特定空间中的体验来做到这一点;拖曳表演，舞厅活动和时装秀。

Trans experience has historically been fetishised and othered in musicology through casestudies preoccupied with Art Music and biological gender; however, research has sincereflected that transness in popular music permeates musical components, lyrics, visualperformance aesthetics, and performer identity. In a new approach towards understandingtrans experience of popular music, I, a non-binary person, intend to identify and examinehow popular music locates transness through a queered phenomenological lens. I will dothis through detailed analysis of pieces of music under the hip-hop and dance musicumbrella, and the experience of it, in specific spaces; drag shows, ballroom events, andfashion shows.