Voicing the Mask- Shifting Theatrical and Compositional Identities through Digital Processing

表达面具——通过数字处理改变戏剧和构图的身份

• 批准号: 2449980
• 金额: --
• 依托单位: Royal Conservatoire of Scotland
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2019
• 资助国家: 英国
• 起止时间: 2019 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2449980
• 关键词: Voicing; Mask; Shifting; Theatrical; Compositional

Investigating the possibilities of electronic processing of the voice, both as a material to expand live performance and compositional options. Although I mainly focus on live processing of the singing voice and the dramaturgical possibilities that affords in operatic contexts, I also research the embodied and dis-embodied voice, in human and artificial forms, to place my compositional vocal practice in the larger sphere of vocality in late capitalism and posthuman theory. I intend for the main output of the PhD to be a chamber opera that utilises these techniques and concepts.

调查电子处理声音的可能性，作为扩大现场表演和作曲选择的材料。虽然我主要专注于演唱声音的现场处理和在歌剧背景下提供的戏剧可能性，但我也研究了人类和人工形式的具身和非具身声音，将我的作曲声乐实践置于晚期资本主义和后人类理论中更大的声乐领域。我打算为博士的主要输出是一个室内歌剧，利用这些技术和概念。