Engraving, Jansenism, and Women in Eighteenth-Century Paris

十八世纪巴黎的版画、詹森主义和女性

• 批准号: 2456302
• 金额: --
• 依托单位: Queen Mary University of London
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2020
• 资助国家: 英国
• 起止时间: 2020 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2456302
• 关键词: Engraving; Jansenism; Women; Eighteenth; Century

My research explores histories of art, religion, and gender in eighteenth-century Paris. I investigate the role of women - as subjects, printmakers, distributors, advocates, and consumers - in non-conformist religious groups and identify the extent of their influence as catalysts for provoking socio-religious change. I am specifically interested in engravings produced during France's religious polemics concerning Jansenists, Convulsionaries, other Catholic factions, and secular institutions where women were often left out of public discourse. Her research interests include eighteenth-century art, printmaking, social history, feminist art history, and women's studies.

我的研究探索了18世纪巴黎的艺术、宗教和性别的历史。我调查了女性在不墨守成规的宗教团体中的角色——作为主题、版画家、经销商、倡导者和消费者，并确定了她们作为引发社会宗教变革的催化剂的影响程度。我对法国宗教论战时期的版画特别感兴趣，这些论战涉及詹森派、抽搐派、其他天主教派别，以及女性经常被排除在公共话语之外的世俗机构。她的研究兴趣包括十八世纪艺术、版画、社会历史、女权主义艺术史和妇女研究。