Caricatures from the Franco-Prussian War and the Paris Commune (1870-71)
普法战争和巴黎公社的漫画(1870-71)
基本信息
- 批准号:2467981
- 负责人:
- 金额:--
- 依托单位:
- 依托单位国家:英国
- 项目类别:Studentship
- 财政年份:2020
- 资助国家:英国
- 起止时间:2020 至 无数据
- 项目状态:未结题
- 来源:
- 关键词:
项目摘要
1870-1 was a pivotal year in European history. In France, the so-called 'terrible year' (année terrible) involved not only a momentous military defeat in the Franco-Prussian War, which brought the loss of Alsace-Moselle to the newly-unified German Empire, but also the insurrection and bloody suppression of the Paris Commune in spring 1871. In Italy, the withdrawal of French troops to fight the German armies allowed nationalists to capture Rome for Italy in September 1870, ending the Pope's millennium-long role as a temporal ruler.The British Library's collection of over 5,000 caricatures and images produced in response to the Franco-Prussian war and the Paris Commune provides a unique opportunity to explore a pivotal year in modern European history through a transnational lens. Most of these images are French and produced in Paris but there are also significant numbers of German, war-themed illustrations and caricatures. Frederick Justen, the owner of booksellers Dulau and Co, who was of German origin and possibly of Huguenot descent, donated the main part of this collection to the British Museum Library in 1889. These collections permit us to pose new and important questions. To what extent did artists and publicists engage with the Franco-Prussian War, Paris Commune, or even the year as a whole, as 'European' events? What can comparing French and German images and responses reveal about the way publics from warring nations engaged with the entangled histories of War and Commune? How can the histories of collecting and visual culture enrich our understanding of the emerging European public sphere?Students will be invited to propose a project that uses one or more of the following themes to bring this rich collection into a wider European context:Prints as sources for a Franco-German history of 1870-1. It is well-established that the French and German nations were often defined in contrast to one another in the period after 1871. How important was popular printed imagery to the development of conflicting national identities? This collection also permits the exploration of neglected themes. For example, the German images contain a wealth of often racially stereotyped representations of colonial troops in the French Army, a subject that has been explored more for 1914-18 than for this period. The international public for printed satire. To what extent can we use traces and provenances of the images in the BL's collection, alongside archival sources and other similar collections (e.g. Cambridge, V&A, and Heidelberg), to reconstruct the history of exchange and dissemination of visual news in the 1870s-'80s? How far can we use Justen's collection and other collections of material related to the Franco-Prussian War and the Commune to understand the market for European news in late nineteenth-century London?Collection history. We know relatively little about Frederick Justen, the collector of the BL's formidable caricature collection, but he was a thoroughly transnational figure. How far might Justen's collecting practice itself be understood as a form of history? To what extent did Justen pursue materials to understand how different European national artists and publics interpreted and satirised the tumult of 1870-1? How did Justen share the collections he had formed, for example through the 'Literary Gossip' column in The Athenaeum?
1870年至1871年是欧洲历史上关键的一年。在法国,所谓的“可怕的一年”(année terrible)不仅包括普法战争中的重大军事失败,使新统一的德意志帝国失去了阿尔萨斯-摩泽尔,而且还包括1871年春天的起义和对巴黎公社的血腥镇压。在意大利,法国军队撤退去与德国军队作战,使得民族主义者在1870年9月为意大利占领了罗马,结束了教皇作为世俗统治者长达千年的角色。大英图书馆收藏了超过5,000幅漫画和图像是为了回应佛朗哥-普鲁士战争和巴黎公社提供了一个独特的机会,通过跨国透镜探索现代欧洲历史上关键的一年。这些图片大多数是法国的,在巴黎制作,但也有相当数量的德国,战争主题的插图和漫画。弗雷德里克·于斯滕,书商杜劳公司的老板,他是德国人,可能是胡格诺派的后裔,在1889年将这些收藏的主要部分捐赠给了大英博物馆图书馆。这些收藏使我们能够提出新的和重要的问题。艺术家和美术家在多大程度上参与了普法战争、巴黎公社,甚至整个年份,作为“欧洲”事件?比较法国和德国的形象和反应,可以揭示战争国家的公众如何参与战争和公社的纠缠历史?收藏和视觉文化的历史如何丰富我们对新兴的欧洲公共领域的理解?学生将被邀请提出一个项目,使用以下主题中的一个或多个,将这个丰富的收藏品带入更广泛的欧洲背景:版画作为1870-1年法德历史的来源。众所周知,在1871年之后的时期,法国和德国的民族常常被相互对比地定义。流行的印刷图像对冲突的民族认同的发展有多重要?这一系列还允许探索被忽视的主题。例如,德国的图像包含了大量的法国军队中殖民地军队的种族刻板印象,这一主题在1914- 1918年的探索比这一时期更多。国际公众对印刷讽刺作品的兴趣。我们可以在多大程度上利用BL收藏中的图像的痕迹和出处,以及档案来源和其他类似的收藏(例如剑桥,V&A和海德堡),来重建19世纪70年代至80年代视觉新闻的交流和传播历史?我们能在多大程度上利用尤斯滕的收藏以及其他与普法战争和公社有关的资料来了解19世纪后期伦敦的欧洲新闻市场?收藏历史我们对弗雷德里克·尤斯滕知之甚少,他是BL令人敬畏的漫画收藏家,但他是一个彻底的跨国人物。在多大程度上可以把尤斯滕的收藏实践本身理解为一种历史形式?Justen在多大程度上追求材料,以了解不同的欧洲国家艺术家和公众如何解释和讽刺1870-1年的骚乱?Justen是如何分享他所收集的作品的,例如通过《雅典娜神庙》的“文学八卦”专栏?
项目成果
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其他文献
吉治仁志 他: "トランスジェニックマウスによるTIMP-1の線維化促進機序"最新医学. 55. 1781-1787 (2000)
Hitoshi Yoshiji 等:“转基因小鼠中 TIMP-1 的促纤维化机制”现代医学 55. 1781-1787 (2000)。
- DOI:
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LiDAR Implementations for Autonomous Vehicle Applications
- DOI:
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2021 - 期刊:
- 影响因子:0
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吉治仁志 他: "イラスト医学&サイエンスシリーズ血管の分子医学"羊土社(渋谷正史編). 125 (2000)
Hitoshi Yoshiji 等人:“血管医学与科学系列分子医学图解”Yodosha(涉谷正志编辑)125(2000)。
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Effect of manidipine hydrochloride,a calcium antagonist,on isoproterenol-induced left ventricular hypertrophy: "Yoshiyama,M.,Takeuchi,K.,Kim,S.,Hanatani,A.,Omura,T.,Toda,I.,Akioka,K.,Teragaki,M.,Iwao,H.and Yoshikawa,J." Jpn Circ J. 62(1). 47-52 (1998)
钙拮抗剂盐酸马尼地平对异丙肾上腺素引起的左心室肥厚的影响:“Yoshiyama,M.,Takeuchi,K.,Kim,S.,Hanatani,A.,Omura,T.,Toda,I.,Akioka,
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