'Mixed-ness' as commodity: capitalising on white passing, 'mixed race' performance within transnational markets

在一个重视“异国情调”的市场中，新的社交媒体平台为白人的“混血”表演提供了新的舞台。“混合性”是如何被视为一种有价值的商品的？文化挪用和“跨种族美学”的表现如何与在某些时空位置将自己视为“白人”和“混血”的白人过路者的经历联系起来？如何利用“种族”或“民族”的流动性？

Within a market that values the 'exotic', new social media platforms present novel stages for white passing 'mixed-race' performances. How is it that 'mixed-ness' comes to be viewed as a valued commodity? How do cultural appropriation and the performance of a 'transracial aesthetic' link to the experiences of white passing people who have at some spatiotemporal locations viewed themselves as 'white' and as 'mixed-race'? How is 'racial' or 'ethnic' fluidity capitalised on?