权益分类	功能权益	普通用户	{{item.name}}会员
{{category.name}}	{{benefitItem.name}}

The Materiality of Digital Music: An Assemblage of Musicians and Vital Materials.

数字音乐的物质性：音乐家和重要材料的组合。

基本信息

批准号：
2637005
负责人：
金额：
--
依托单位：
Kingston University
依托单位国家：
英国
项目类别：
Studentship
财政年份：
2021
资助国家：
英国
起止时间：
2021 至无数据
项目状态：
未结题

来源：
https://gtr.ukri.org/projects?ref=studentship-2637005
关键词：
Materiality Digital Music Assemblage Musicians

项目摘要

There is an increased recognition that musical materials are not passive; they possess the creative potential to influence digital music production. Yet, many questions remain unanswered about how materials impact digital musicking. This project will combine Actor-Network-Theory (ANT), assemblage theory, vital materialism and musical analysis to explore the materiality of digital music. The research will differ from previous studies of non-humans in digital music by centring on the dynamic processes, rather than static objects, of studio creativity. It will be supported by the observation of the recording and production practices at Kingston University's Visconti Studio. This research will pinpoint how digital materials affect the music-making process and theorise their agency. This research will contribute to the growing field of musical materialism by documenting the emergence of a musical form in which the materials themselves have as much agency as the musicians interacting with them. With a methodology that is material both in theory and in practice, the research contributes to the urgent effort of finding an ecological understanding of digital music. The project will present musicians as working in an ecosystem of active materials and it will highlight the ecological materials that are involved in digital music production. It will shed light on the interaction between human and non-human material agencies in the co-creative processes of digital musicking.

人们越来越认识到，音乐材料不是被动的;它们具有影响数字音乐制作的创造潜力。然而，关于材料如何影响数字音乐的许多问题仍然没有答案。本计画将结合联合收割机行动者网络理论、集合理论、生命唯物主义与音乐分析来探讨数位音乐的物质性。这项研究将不同于以往对数字音乐中非人类的研究，它集中在工作室创造力的动态过程，而不是静态对象。它将支持在金斯顿大学的维斯康蒂工作室的记录和生产实践的观察。这项研究将查明数字材料如何影响音乐制作过程，并将其机构理论化。这项研究将有助于不断增长的音乐唯物主义领域，通过记录一种音乐形式的出现，在这种音乐形式中，材料本身具有与音乐家相互作用一样多的媒介。该研究的方法论在理论和实践上都是材料，有助于找到对数字音乐的生态理解的紧迫努力。该项目将呈现音乐家在一个活性材料生态系统中的工作，并将突出数字音乐制作中涉及的生态材料。它将揭示人类和非人类物质机构在数字音乐的共同创造过程中的相互作用。