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Hip Hop Museology: Remixing Museum Practices around Black British Popular Culture

嘻哈博物馆学：围绕英国黑人流行文化重新混合博物馆实践

基本信息

批准号：
2743051
负责人：
金额：
--
依托单位：
University of Leeds
依托单位国家：
英国
项目类别：
Studentship
财政年份：
2022
资助国家：
英国
起止时间：
2022 至无数据
项目状态：
未结题

来源：
https://gtr.ukri.org/projects?ref=studentship-2743051
关键词：
Hip Hop Museology Remixing Museum

项目摘要

The wide gap in museum practice surrounding Black popular culture in the UK has been made all too clear to me, whether as a museum visitor, a student of history and African studies, or most recently as a museum professional. Having grown up mostly in England, my research interests focus on the urge to include and empower Black popular culture in English political institutions. My work has addressed the globalisation of Ghanaian Highlife, transnational transformations of Ananse/Anansi the Spider, bottom-up histories of working-class Black women in Britain, and oral histories, provenance and restitution of African museum collections. The Project's call for contributions to close this gap greatly interested me and encouraged my application. Whilst this Project highlights the importance of analysing the internal epistemological foundations of museum structures and practices, the way in which museum structures are externally viewed in Black British popular culture should also be considered. Therefore, my approaches to this project will be community focused. My refined proposed questions would focus on concerns such as:What does the term 'museum' mean to Black communities/how are they (re)defined? How are museums illustrated in Black British popular culture? (Including within lyrics, comics, social media)Who 'owns' Black British popular culture? Why/How is it 'remixed' in order to adapt to the power structures of/in museums?

无论是作为一名博物馆参观者、一名历史和非洲研究的学生，还是最近作为一名博物馆专业人员，我都清楚地看到了英国围绕黑人流行文化的博物馆实践中的巨大差距。主要在英格兰长大，我的研究兴趣集中在敦促包括和授权黑人流行文化在英国的政治机构。我的工作已经解决了加纳Highlife的全球化，Ananse/Anansi蜘蛛的跨国转型，英国工人阶级黑人妇女自下而上的历史，以及口述历史，非洲博物馆收藏品的出处和归还。该项目呼吁捐款，以弥补这一差距极大地吸引了我，并鼓励我的申请。虽然该项目强调了分析博物馆结构和实践的内部认识论基础的重要性，但也应该考虑博物馆结构在英国黑人流行文化中的外部观察方式。因此，我对这个项目的态度将是以社区为中心。我提出的问题将集中在以下问题上：“博物馆”一词对黑人社区意味着什么/它们是如何（重新）定义的？博物馆是如何在英国黑人流行文化中展示的？（包括歌词、漫画、社交媒体）谁“拥有”英国黑人流行文化？为什么/如何“混合”，以适应权力结构的/在博物馆？