Art, Writing, and Reforming: The legacy of Carla Lonzi.

这项研究着眼于20世纪70年代至90年代参与意大利女权运动的妇女所创作的艺术家作品和艺术家书籍。具体来说，该项目探讨了这些作品如何回应艺术评论家卡拉·朗兹的女权主义实践。与预期相反，朗齐的女权主义并不同情女性艺术家，因为朗齐认为艺术实践和女权主义实践是不相容的。然而，并不是所有的艺术家在朗兹的圈子同意这一观点：这项研究探讨的工作，女性艺术家谁谈判的女性主义和艺术之间的复杂关系。

This research looks at artists' writings and artists' books produced by women involved in the feminist movement in Italy from the 1970s to the 1990s. Specifically, the project explores how these works respond to the feminist practice of the art critic Carla Lonzi. Contrary to expectation, the feminism of Lonzi was not sympathetic to female artists since Lonzi believed that artistic and feminist practices were incompatible. However, not all the artists in Lonzi's circle shared this view: this research explore the work of female artists who negotiated the complex relationship between feminism and art.